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Do We Give Too Much Kudos to Established Directors?

There was (as ever) a rather interesting piece in the Guardian a few weeks back which suggested – what with Alice in Wonderland and Shutter Island coming out within weeks of each other and dominating film discussion in March – perhaps we tend to focus too much on established directors like Burton and Scorsese.

Because it’s one thing for a studio to take a project and market it with such frenzied hyperbole that for a week or two seeing it becomes all but obligatory for anyone wanting to remain a la mode. It’s quite another for film-goers to convince ourselves we need to see that same project through an increasingly forlorn belief in its director as a still-vital and relevant force. Whatever the implications of Burton’s Alice may be for exhibitors and all that newly-installed 3D technology, the nuts-and-bolts issue here is surely the length of time any once-great film-maker is given in the cinephile heart purely on the basis of dusty triumphs a decade or more in the past.

I thought it only fair to wait until I had seen bother of those big films to comment. Being entirely honest, I don’t think it’s entirely reasonable to lump Burton and Scorsese together as some sort joint proof of that assertion. In fact, I’d argue the two are very different sides to the same coin.

Is Burton picking his own creative bones dry?

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