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The X-Files – The Calusari (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

The Calusari is very heavily and very clearly influenced by classic horror cinema. With its demon child and dramatic ritual sequences, the episode seems constructed as a gigantic homage to The Omen and The Exorcist, two of most iconic horror films of the seventies. On paper, this isn’t a bad idea. The show hasn’t done a straight-up quasi-exploitation horror episode since Fresh Bones, and “scary kids” worked well enough for the show in Eve.

On the other hand, the show has historically had trouble doing straight-up classic horror stories – Shadows was a misfire of a ghost story, while Shapes was a questionable werewolf tale and 3 was a disaster of a vampire show. More than that, The Calusari pushes the show into fairly uncomfortable territory, dealing as it does with the religious beliefs of immigrant communities. The Calusari is not as bad as it could be, but it’s also not particularly good, either.

A haunting tale?

A haunting tale?

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Non-Review Review: The Omen

A whole bunch of ropey sequels and a dodgy remake aside, The Omen remains a rather wonderful little Satanic thriller, and a fantastic horror movie in its own right. The sixties and seventies were populated with reproductive horrors like Rosemary’s Baby and The Omen, and I think that there’s a reason that The Omen has endured. More than three decades after its original release, The Omenremains a superb example of seventies horror at its very finest.

Not quite father-of-the-year material…

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