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Doctor Who: Blood of the Daleks (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Blood of the Daleks originally broadcast in 2006-2007.

Blood of the Daleks is an interesting piece of Doctor Who lore. It isn’t the first of Paul McGann’s audio adventures in the role of the Doctor. While McGann wasn’t the first of the performers to work with Big Finish, he recorded his first performance in 2001, half a decade before he recorded Blood of the Daleks. He’d gone through years of audio adventures and even a couple of companions before Blood of the Daleks.

Paul McGann been working on the character since before Russell T. Davies had had a chance to structure and plan the revival, and he has been a fixture of the line throughout the tenures of Christopher Eccleston, David Tennant and Matt Smith in the role. However, Blood of the Daleks marks something of a big moment for the character, a definite step forward for his version of the character, and a bold endorsement of his interpretation by the BBC.

Blood of the Daleks didn’t debut on audio CDs in collectible shops. It broadcast on BBC7, less than a week following the broadcast of The Runaway Bride.

doctorwho-bloodofthedaleks

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Doctor Who: Dalek (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Dalek originally aired in 2005.

I’m sorry. I’m so sorry! I swear, I just wanted you to talk!

Then hear me talk now. Exterminate! Exterminate! Exterminate!

– Van Statten and the Dalek

Dalek is a pretty effective reintroduction of the show’s most iconic villain. It’s also something of a tour de force for lead actor Christopher Eccleston and Dalek vocal performer Nicholas Briggs. It’s full of interesting ideas, and perhaps the biggest swipe the show would make at “superfans” this side of Love & Monsters. That said, Rob Shearman’s script is occasionally a bit clumsy in its execution, never quite managing to convince the audience that the Doctor might be turning into a Dalek, no matter how firmly it labours to point. Still, minor quibble aside, it’s a wonderful way of welcoming the Daleks back to the fold.

The loneliest Dalek...

The loneliest Dalek…

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