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Doctor Who: Flux – Chapter Four: Village of the Angels (Review)

“Doctor, there are angels in the wall here.”

“Of course there are! Why wouldn’t there be?”

Village of the Angels largely works.

It is the best episode of Doctor Who: Flux to this point, and certainly the best episode of Doctor Who since Maxine Alderton’s last credit on The Haunting of the Villa Diodati. Like The Haunting of the Villa Diodati, Village of the Angels is an interesting high-concept cocktail: it is a period-piece base-under-siege story with a classic monster and simmering occult undertones. It is an illustration of how sturdy some of these Doctor Who templates can be, and how there’s room for novelty and ambition to be found even when playing the old standards.

Angels of the Mourning.

That said, Village of the Angels does run into a couple of problems. Like The Haunting of the Villa Diodati, it is a narrative that feels somewhat undercut by the decision to use it as a launching pad into the two-part season finale. There are enough interesting characters and concepts at play in Village of the Angels that the episode feels like it deserves to function as more than just an extended trailer for the epic closing story of the season around it. Village of the Angels is a story that has markedly less internal resolution than War of the Sontarans, and it almost feels like both episodes would be better served by swapping places.

Still, that’s a relatively minor complaint about one of the most impressive episodes of the Chibnall and Whittaker era.

Grave danger.

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