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X-Men: Inferno – Avengers (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

This weekend, we’re taking a look at one or two of the smaller Inferno crossovers. These issues are collected in the crossovers companion book.

In many ways, Chris Claremont’s Inferno can be read as something of a practice run for John Byrne’s Acts of Vengeance. Both were massive crossovers that spread across a significant portion of Marvel’s publishing line, demanding writers to tie their stories in to these big and over-arching events. While Inferno‘s reach was arguably more modest than that of Acts of Vengeance, it seemed that the demonic invasion of New York could not be contained to the X-Men books, and ended up impacting titles as diverse as The Fantastic Four and Daredevil. Walt Simonson’s Avengers tied into Inferno as well, making an interesting attempt to launch a new team against the backdrop of an X-Men event.

Meet the new team…

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Fall of the Mutants: Uncanny X-Men (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Part of me does feel a little bit sorry for Chris Claremont. After all, his Uncanny X-Men run was trapped in a perpetual second act. He hadn’t introduced the franchise, inheriting it from a bunch of other writers and artists, and he couldn’t resolve it either. So, as a writer, Claremont was charged with keeping readers interested in an on-going narrative that spanned well over a decade. Occasionally, the writer would try to keep things fresh, and Fall of the Mutants represents just such an attempt. Trying to transition his team from one status quo to another, you have to give the writer credit for pitting the team against an enemy who is (effectively) God, even if it does make this chapter in his on-going saga the equivalent of Star Trek V: The Final Frontier.

United we fall…

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X-Men: The Asgardian Wars (Review)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

It has been said that the X-Men rarely interact with the broader Marvel Universe. While characters like Wolverine and the Beast might have appeared on a roster or two of The Avengers, and Storm might have popped up in Fantastic Four, events within the X-Men line seemed to be self-contained, with Marvel’s mutants generally fighting their own problems in their own way. After all, Captain America was hardly a champion of civil liberties if he didn’t stand up for mutant rights, so it made sense to keep the mutants relatively self-contained.

However, despite this (somewhat deserved) reputation, it’s interesting to look back at the connections that writer Chris Claremont fostered with the wider Marvel Universe. Some of these (like the Claremont’s frequent connections to the Ka-Zar mythos) were relatively frequent within the pages of the main title (and no less strange for it), but Claremont was also a fan of making an event of a crossover between the X-Men and any other major players – things like Fantastic Four vs. X-Men. This story arc, told over four special issues, is something similar, making a big deal of the crossover between the world of Thor and the X-Men.

The Goddess of Thunder!

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Uncanny X-Men by Chris Claremont Omnibus, Vol. 1 (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Chris Claremont wrote Uncanny X-Men for seventeen years, which is really quite a run in mainstream American comics, especially for a writer who didn’t create the property that he was working on. Over the course of a defining run that lasted almost two decades, the creator shaped the franchise from the forgotten stepchild of Stan Lee and Jack Kirby – cancelled and reduced to reprints – into Marvel’s biggest and most successful comic book franchise. While the book hadn’t quite made it to the top of the sales charts by the end of this omnibus collection, it was well on its way – and you can see Claremont gradually moulding the team into the iconic collection of mutants that we’d see across a myriad of mediums.

Marvel had a smash hit on their hands…

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Acts of Vengeance: The Punisher vs. Doctor Doom (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

In celebration of the release of The Avengers, this weekend we’re taking a look at the massive 1989-90 crossover “Acts of Vengeance”, which pitted various villains against some unlikely heroes. I’ll be looking at some of the most fun match-ups. This arc is collected in the companion omnibus.

I tend to like my Punisher stories with a hint of the ridiculous about them. I seem to be the only person who thought that Garth Ennis did his best work on the character as part of Marvel Knights rather than Punisher MAX, because I tend to think the character works best as a sort of an absurd straight man in mainstream comics. He is, after all, a character who uses superhero iconography (a giant skull on his chest, no matter how stripped-down the iteration) while being a guy with a gun who likes to kill criminals. I’ve always felt that the character required a suspension of disbelief that that only really worked if he was played just slightly ridiculous. Of course, that’s my opinion, and I seem to be in the minority on this, but it probably explains why I found Mike Baron’s tie-in to Acts of Vengeance – pitting the Punisher against Doctor Doom – to be so much damn fun.

Closing in to seal his doom…

Note: The always wonderful Chris Simms took a more indepth look at this unlikely crossover on Comics Alliance, perfectly capturing the wonderful insanity of it all.

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Acts of Vengeance Omnibus (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

As The Avengers is getting its U.S. theatrical release this weekend, I thought I’d celebrate by taking a look at a gigantic crossover. I’ll be reviewing individual tie-ins over the weekend, so check back!

Truth be told, I would have been quite disappointed if I made it all the way to the end of the month without taking a look at one of those token “big, dumb” crossovers featuring Marvel’s iconic characters. Truth be told, Acts of Vengeance just looked kinda fun. Although it spread to Marvel’s whole line, it was directed by writer and artist John Byrne, who was behind Avengers and West Coast Avengers at the time, so I’m totally counting it as an Avengers crossover. It’s one of those incredibly silly concepts that could only ever work in the context of superhero comic books. Basically, tired of being soundly defeated by their heroes, a bunch of supervillains decide to band together and exchange partners. Hilarity ensues as the line struggles to maintain editorial consistency.

Shattered heroes…

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Secret War (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Yesterday and today we’re taking a look at the two Brian Michael Bendis events that kick-started the writer’s work on the franchise.

In many ways, Secret War feels like a companion piece to DC’s Identity Crisis crossover. Both miniseries essentially deconstructed the relatively simplistic nature of those superhero universes – daring to question what might happen if you approached these plot devices with a bit more cynicism. Bendis’ Secret War miniseries not only sets up the status quo and suggests the themes he would develop over the course of his New Avengers run, it also darkens the entire tone of the shared Marvel Universe. You can almost plot a straight line between Secret War and Siege, considering it one gigantic and messy saga adopting a cynical approach to the mechanics of this fictional world.

The war at home…

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Kurt Busiek’s Avengers – Avengers Assemble! Vol. 5 (The Kang Dynasty) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

I’ll be honest. I am still not sure what to make of Kurt Busiek’s Avengers run, republished here in five lavish oversized hardcovers. The first three volumes of the set included the stellar artwork of George Perez, but the fifth and final volume contains the entire Kang Dynasty (aka Kang War) saga. For those unfamiliar with the storyline, it was a fairly massive plot told over fifteen issues and an annual, and marked the climax of Busiek’s five-year tenure on the title. For better or for worse, it’s a more than adequate conclusion to his run – complete with many of the flaws which chipped away at it, but also possessing many of the recognisable strengths.

"Don't blame me, I voted for Kodos!"

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“I Want to Read Comics After Seeing the Avengers”: Post-Avengers Comic Book Recommendations…

The Avengers opened in a lot of major markets this weekend. It is opening in the United States this Friday. It’s set to be huge and has been quite well received by critics and audiences. Now, I know that this massive blockbuster movie won’t convert the millions of avid movie-watchers into comic book fans, if only because other comic books have failed to see that appreciable a gain from success in other media. However, on the off chance that somebody comes out of the cinema thinking “hey, I really like that and would like to check out the source material”, I’ve compiled a handy list of recommendations that should be readily available and easy to find for would-be fans looking to get a taste for the iconic characters in their original media.

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Brian Michael Bendis’ Avengers – Prime (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Avengers Prime feels more like an epilogue than a new chapter. It’s a very clear attempt by writer Brian Michael Bendis to draw a line under the past five years of Marvel continuity, the direction of the Avengers franchise from Avengers: Disassembled through to Siege. It’s an attempt to sum up everything that had happened thematically, and to all his characters to move forward, hopefully stronger for the experience – a genuine attempt at character development inside the relatively static genre of superhero comics. While it feels, at times, a little bit too simplistic, it does feel like Bendis is tying up all his loose ends and ready to push forward on to new ground.

From the wreckage...

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