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Non-Review Review: Marlina the Murderer in Four Acts

This film was seen as part of the Audi Dublin International Film Festival 2018.

Marlina the Murderer in Four Acts is a tough film to classify.

Visually and narratively, Marlina the Murderer in Four Acts feels very much like a western. Writer and director Mouly Surya crafts a story that is recognisable as a classic western tale. The eponymous lead character lies alone in a remote part of Sumba, managing a farm following the death of her husband. When bandits arrive to raid the property, Marlina finds herself forced to embark on a journey across the region in search of justice – or maybe just even peace. Along the way, there is violence, retribution and reconciliation.

Director Mouly Surya and cinematographer Yunus Pasolang tell the story using the visual language of the western. The film features any number of striking and beautiful compositions, the camera taking in the sparse beauty of the Indonesian countryside in rich browns and yellows, the deep blue of the ocean occasionally visible in the distance or the background. Marlina the Murderer in Four Acts even includes sequences of its protagonist riding on horseback, hoping to deliver a bounty to the forces of justice in a seemingly lawless land.

However, these trappings serve to provide a framework for a much more compelling and fascinating character study. Marlina the Murderer in Four Acts is a quiet and introspective film, one that finds a strange warmth in the quiet resolve of its central character.

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