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The X-Files – Piper Maru (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Piper Maru and Apocrypha continue a pretty clear thematic throughline for the show’s third season mythology episodes.

As with The Blessing Way/Paper Clip and Nisei/731, Piper Maru and Apocrypha tell a story about how we relate to the past. In particular, in keeping with the rest of the third season mythology, it is a show about the legacy of the Second World War. The X-Files is a show that is sceptical of the decisions made by the American government towards the end of the Second World War, particularly as those decisions shaped and moulded the present. In many ways, The X-Files is a show about history and legacy, trauma and consequence.

A fish out of water...

A fish out of water…

Piper Maru and Apocrypha are less direct about this connection than the earlier mythology episodes. They aren’t about the war criminals given safe habour after the Second World War in return for scientific knowledge or tactical advantages. Instead, Piper Maru and Apocrypha are shows about dredging up the past and confronting the consequences of past actions. These two episodes are not only steeped in American popular history, but also in the show’s internal continuity. The majority of what happens here is driven by events we’ve seen in the show.

At the same time, Piper Maru and Apocrypha represent an attempt to boldly expand and push the mythos forward in the same way that Colony and End Game did at this point in the second season. The result is an intriguing two-parter that feels a little muddled and messy, an example of the show stumbling slightly as it tries to grow outwards. Although the mythology is still working a lot more efficiently than it would in later seasons, there is a sense of clutter beginning to filter in.

The eyes have it...

The eyes have it…

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