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Doctor Who: The Leisure Hive (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Leisure Hive originally aired in 1980.

Look what you’ve done.

What have I done?

You’ve got the century wrong, you’ve got the season wrong and you’ve got K9’s sea-water defences wrong.

Well, I can’t get everything right.

Just something would be a help.

– Romana and the Doctor really do seem like an old married couple, don’t they?

The Leisure Hive represented a bold new beginning for the show, as it saw John Nathan-Turner move into the role of producer, very quickly putting his mark on the show with a new theme tune and opening sequence, a stronger emphasis on science-fiction and arguably a very “gimmick-y” approach to the show itself. Nathan-Turner would go on to be the longest-serving – and most controversial – producer of the show, serving in the role until the series’ untimely cancellation in 1989. It really is quite tough to discuss The Leisure Hive without getting side-tracked on to any number of tangents, isn’t it?

Is Baker getting to old for the role?

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