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Bealtaine Film Tour Schedule

I’m always a fan of bringing cinema to as wide an audience as possible, especially to those who can’t or wouldn’t normally attend. After all, I think it’s a wonderful thing to share – but then you probably suspected as much, given you’re reading a blog about film and pop culture. Anyway, I just received the schedule for the Bealtaine 2012 festival. It celebrates creativity as we age, and involves a rich slate of cultural activities aimed at sharing culture with those who wouldn’t normally have access to it. accessCinema and the wonderful folks at the Irish Film institute (with support from Seven Seas Active 55) will be taking three films on tour, including Maggie Smith in My House in Umbria, the classic Gene Kelly film An American in Paris and the underrated Last Chance Harvey. I am quite fond of that one. For those in Dublin, the IFI will also be screening Little Miss Sunshine and Cinema Paradiso, both of which are genuine classics.

The full schedule for the May festival is below. I’d just like to reiterate how cool it is that they do this, and to encourage any readers with any elderly friends or relatives to consider checking out some of these. Visit their official website here. Continue reading

Non-Review Review: Last Chance Harvey

There’s something pleasant about watching just-past-their-prime actors working together on small-scale productions. Kinda a reminder that even though they don’t dominate Hollywood anymore (because Hollywood has little respect for their elderly), they are still around. It’s even nicer when they stray from the projects that they are obviously making a fair bit of capital on (such as Dustin Hoffman’s work in Meet the Fockers) towards smaller, more intimate fare. Last Chance Harvey is a solid and sweet romantic comedy in the very classical sense. It doesn’t rely on inappropriate sex jokes or physical comedy to make its audience laugh, just provides some wonderfully awkward ‘that could happen and it would be mortifying’ humour paired with some emotional honesty. And, despite being crafted in the mould of a classical genre, it manages to seem like a breath of fresh air.

Thankfully, Harvey is never short with her...

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