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Non-Review Review: Cinderella (2015)

This film was seen as part of the Jameson Dublin International Film Festival 2015.

Kenneth Branagh’s Cinderella is probably the safest and most down-the-middle live action remake of a classic Disney cartoon. It is not as heavily stylised or esoteric as Tim Burton’s Alice in Wonderland, but it is also not as deeply flawed as Maleficent. If anything, Cinderella suffers from a lack of its own identity or energy. It is a well-made and functional film that avoids any truly significant problems, but it also lacks any real edge that might help it stand out.

Cinderella looks lovely. Dante Ferretti’s production design and Sandy Powell’s costume designs are breathtakingly beautiful. Branagh’s direction is clean and crispy, avoiding excessive clutter and trusting the story to tell itself. The cast are great – with Cate Blanchett and Helena Bonham Carter doing wonderful work. Even the script does exactly what it needs to do, walking the line between traditional and self-aware with considerable grace. Cinderella does pretty much everything that you would expect a live action adaptation to do.

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At the same time, it lacks any real sense of cinematic ambition. It is nowhere near as iconoclastic as Alice in Wonderland or as ambitious as Maleficent. This isn’t necessarily a bad thing – Alice in Wonderland attracted a lot of criticism for playing more as a Tim Burton movie than an Alice in Wonderland film, while Maleficent tripped over itself in its attempts to re-write the classing story of Sleeping Beauty as a feminist parable. Cinderella‘s problems are much less severe, but its accomplishments are also less noteworthy.

The result is probably the most solid and reliable live adaptation of a classic Disney cartoon, albeit one that never seems to have any real ambition or verve.

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