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Netflix and Marvel’s Jessica Jones (Review)

Jessica Jones is a bold and ambitious piece of work.

In many ways, it takes what worked about Daredevil, and improves upon a lot of it. It offers a grounded take on the shared Marvel universe, one even further disconnected from the world of The Avengers. It offers a likable cast of actors playing a bunch of nuanced and well-developed characters, avoiding some of the stock comic relief that bogged down Daredevil at certain points in the series. It is smart and provocative in a way that many of Marvel’s more mainstream offerings are not, taking advantage of the relatively smaller platform to tell a more niche story.

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There are issues, of course. The biggest problem with Jessica Jones is that the series feels about four episodes too long for the format that it has adopted. While each of the episodes work as a distinct unit of story, Jessica Jones is much more of a single story than Daredevil was. The problem is that the story occasionally feels like it goes through narrative loops and down narrative cul de sacs to stretch out to the thirteen-episode order. While the more episodic structure of the first half of Daredevil was not ideal, it allowed for a smoother twelve-hour storytelling experience.

Still, this is a rather small problem. The world and characters of Jessica Jones are interesting enough to sustain interest even when it feels like the plot is stalling. Jessica Jones is clever, exciting and engaging.

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Jessica Jones – AKA Ladies’ Night (Review)

“New York may be the city that never sleeps, but it sure does sleep around,” explains grizzled private detective Jessica Jones, the first line of Jessica Jones.

The line establishes two key themes going forward, running through the first season of the show. The more subtle theme is that of New York itself. Like Daredevil before it, Jessica Jones is rooted in a particular vision of New York; in its imagery and iconography. While Daredevil was arguably rooted in a version of Hell’s Kitchen that no longer existed, Jessica Jones seems at least a little more modern and more relevant. In AKA Ladies’ Night, and across the season, street names serve as an emotional anchor to the eponymous private eye. They are real and tangible places.

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The second theme is more immediately pronounced. Jessica Jones might just be the most sex-positive aspect of the shared Marvel Universe. Although the usual limitations on nudity are in effect, Jessica Jones seems far more comfortable with human sexuality and sexual dynamics than any of the studio’s earlier output. AKA Ladies’ Night sets the tone for the season, opening with an awkward sequence of quick and grotty sex in (and around) a parked car. The show starts as it means to go on, embracing sex as a part of the human condition.

AKA Ladies’ Night does an effective job of setting the tone for what will follow. It is an effective introduction to the world of Jessica Jones.

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