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Non-Review Review: Destroyer

At its core, Destroyer is a pulpy, heightened B-movie.

The basic plot involves a former undercover officer who finds herself tidying up loose ends from a botched job twelve years earlier, Erin Bell trying desperately to stay ahead of everything as the walls close in around her. It’s a standard template for a story like this, and audiences will be familiar with the basic structure of the story. Erin’s life is a disaster zone, and there is a sense that she still carries the scars from the trauma she enduring working with a local criminal gang.

She is become death…

As with most other genre exercises like this, Destroyer lives or dies in the execution. The template is so recognisable because it works efficiently. Apply a talented performer, a good director and a solid script to the template, and the movie will work. In that respect, Destroyer benefits from a compelling central performance by Nicole Kidman as Erin Bell, and from director Karyn Kusama’s understanding of the rhythms and tempos of genre exercises like this.

Destroyer stumbles a little bit in its third act, largely due to a completely unnecessary piece of narrative trickery. However, the film is propulsive and compelling enough to make it across the finish line.

Copping to it.

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