To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.
The Ark originally aired in 1966.
Yes, I bet it’ll take some time to get the whole of the population down here, so the sooner you get started, the better, I should think.
Don’t worry. It may not take as long as you think.
What do you mean? Are you up to something?
…
Em… no.
– Dodo (yes, Dodo) outwits a Monoid
The Ark is an interesting piece of Doctor Who, both in terms of structure and in terms of theme. It’s a very clever concept, with the four-parter effectively split into two halves as the Doctor and his companions join the same story at two different intervals. It’s a wonderful high concept, with the action jumping from across time while keeping a fixed location. However, The Ark is also notable because of its less-than-subtle political under-currents, one of the relatively rare times where Doctor Who has seemed reactionary, conservative and downright colonial in its attitudes.
The end of the world as we know it…
Filed under: Television | Tagged: Ark, arts, bbc, Celestial Toymaker, Dalek, doctor, DoctorWho, Dodo, Earth, Evolution of the Dalek, Innes Lloyd, John Wiles, Jon Pertwee, Monoid, russell t. davies, science fiction, Steven, tardis, Verity Lambert | Leave a comment »
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