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Kick-Ass

Remember how I said during my review of The Ultimates that Mark Millar was a love ‘im or hate ‘im writer, sometimes within the same work? Well, Kick-Ass offers Millar at his best and at his worst. He gets the superhero genre, understands why and how it works the way it does. That’s why he’s so good at deconstructing and reconstructing it. He grasps the escapism element and knows his target audience like the back of his hand. However, he’s a writer who refuses to ever accept that there is such a thing as “too far”. There is no taste, there is no top to go over. But, more than that, there’s no restraint. And there’s the problem with Kick-Ass: for a novel so interested in giving us a relatable protagonist and heroes grounded in “the real world”, it’s too absurdist to really work.

"They should call him ass-kick..."

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