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A Dream Play at the Peacock

A Dream Play is regarded as one of the defining moments of surrealism on stage. It’s not so much a play as wide variety of clashing ideas and scenarios, which overlap and bleed into each other as if reality itself is bleeding. The net effect quite wonderfully evokes the idea that the audience is somewhere very strange indeed – where characters and archetypes seem just on the verge of making sense before morphing and merging into something new and strange yet strangely familiar. The National Youth Theatre have staged a production at the Peacock Theatre, working off the version of the play “edited” by Caryl Churchill. I put “edited” in inverted commas because – despite not having an annotated version – I can offer a pretty confident guess as to which parts of the play came from her more modern (and vastly less subtle) perspective.

A "dream" cast...

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MacBeth at the Abbey Theatre

Myself and the better half had the pleasure of taking in a show in the national theatre last night. Director Jimmy Fay has brought Shakespeare’s MacBeth, the play known in the industry as “the Scottish play”, to the stage. I studied MacBeth in secondary school, as one of the big four tragedies. I would have rather studied Othello or Hamlet, but at least it wasn’t King Lear. We had high hopes in settling into our seats for the full performance – Fay had brought The Resistible Rise of Arturo Ui to the stage only last year in a show that remains perhaps my favourite of all the plays I have seen at the Abbey. Did MacBeth live up to those expectations?

"Something wicked this way comes..."

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