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Star Trek: Deep Space Nine – For the Cause (Review)

This February and March (and a little bit of April), we’re taking a look at the 1995 to 1996 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

For the Cause essentially refocuses the fourth season of Star Trek: Deep Space Nine, rallying the season’s strength as the finalé approaches.

After a bunch of lackluster episodes, from Rules of Engagement through to Shattered Mirror and The Muse, the show finds its voice once again. For the Cause is not just a great episode of television, it is an episode uniquely tailored to this particular show. For the Cause would not work on any of the other for Star Trek shows, so precisely is it calibrated to what makes Deep Space Nine unique. It is a story about trust and betrayal, but also one that chips away at the romance of Starfleet and the Federation.

Pinning his colours to the mast...

Pinning his colours to the mast…

What is particularly interesting about the stretch of episodes running from here through to Broken Link is the sense that Deep Space Nine is getting back to basics. The fourth season is somewhat overshadowed by the addition of Worf to the cast and the emphasis placed on the Klingons in The Way of the Warrior. Although the production team do a great job working within the studio mandate, this shift in focus has meant that many more traditional elements of Deep Space Nine have been shunted into the background.

The final stretch of the fourth season finds the show returning to ideas that were threaded through earlier seasons and were shifted slightly out of focus with the return of the Klingons. For the Cause brings the Maquis back to the fore. To the Death, The Quickening and Broken Link focus on the Dominion threat. Body Parts returns to Ferengi politics. To be fair, the Maquis were the only element that totally faded from view over the fourth season, so it makes sense to return to them first.

A stunning betrayal...

A stunning betrayal…

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Star Trek: Borg (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

The Borg were the breakout aliens of the era surrounding Star Trek: The Next Generation. They appeared in all the spin-offs following The Next Generation – providing a piece of back story for Star Trek: Deep Space Nine and a nice mid-run bump for Star Trek: Voyager. They are probably the only Star Trek alien created in the wake of the original television show that can be identified readily by casual television viewers and movie-goers; ranking with the Klingons or the Romulans.

As such, it’s a surprise that the franchise waited so long to capitalise on them so ruthlessly. Q Who? introduced the Borg, and they appeared in the following season’s cliffhanger finalé. The Best of Both Worlds became something of a minor television phenomenon, and the Borg reappeared a couple of times in the years following. That said, it wasn’t until 1996 and 1997 that the franchise really pushed the Borg to the fore.

With the release of Star Trek: First Contact into theatres, the Borg were everywhere. They got spin-off comic books, a build-up to a cliffhanger appearance in Voyager, and even Star Trek: Borg.


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