In its seventh season, Star Trek: Voyager gets nostalgic.
It happens naturally when long-running shows begin the process of wrapping up. It is inevitable that the production team will look back with affection and sincerity towards the early years of their shared adventures. The seventh season of Star Trek: Deep Space Nine even made a number of strange callbacks to the first season. Chimera offered a very late-in-the-game return to “the hundred”, the Founders that were sent out into the void like Odo had been. What You Leave Behind featured Sisko fulfilling the task for which he has been chosen in Emissary.
“Star Trek was never about shooting stuff with big guns,” argue a certain strand of modern Star Trek fans.
That nostalgia simmers and bubbles through Flesh and Blood, Part I and Flesh and Blood, Part II. However, there’s a sense that Flesh and Blood, Part I and Flesh and Blood, Part II don’t quite understand what they are evoking. Flesh and Blood, Part I and Flesh and Blood, Part II hark back to the earliest seasons of Voyager in a number of surprising ways, providing a neat bookend to some of the core anxieties that have been bubbling through the series since Caretaker.
Unfortunately, Flesh and Blood, Part I and Flesh and Blood, Part II seem to be doing this almost unconsciously. This is not an exorcism or an exploration, but an unexpected repetition. Voyager is still haunted by memories of the show’s turbulent early years, and it is clear that Voyager has no better understanding of itself now than it did then. The result is deeply unsatisfying and frustrating.
East of Iden.
Filed under: Voyager | Tagged: conservatism, emh, hirogen, identity politics, kazon, slave rebellion, star trek, star trek: voyager, voyager | 1 Comment »
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