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Torchwood: Miracle Day – The New World (Review)

In a way, Torchwood: Miracle Day is a miracle itself. It’s a sign of just how far Russell T. Davies has brought Doctor Who, to the point where one of the franchise’s spin-offs could be an international co-production between America and the United Kingdom. Sure, Starz is hardly the best and brightest of American networks, but it’s no small accomplishment on the part of Davies.

America has been something of a promised land for the franchise since the eighties, when John Nathan Turner would spend considerable time and money visiting American fan conventions or casting multinational companions or even arranging international co-financing or to air The Five Doctors first in international territories. None of those examples really took, and most of America only really knew the franchise through PBS airings of the Tom Baker era.

Jack's back...

Jack’s back…

Davies did a lot of work to bring Doctor Who to America. That work really came to fruition during the Steven Moffat era, with a massive opening two-parter set in 1970’s America and the use of Utah as a crucial location. Massive visits to Comic Con became an annual ritual for the show, its producers and performers. The Day of the Doctor will be broadcast live around the world at the same time, no small accomplishment.

While it’s undoubtedly on a much smaller scale, it is nice that Miracle Day affords Davies a chance to be part of this expansion – spearheading his own project that directly intersects with American television. Starz is hardly Fox, the network that Davies originally pitched to, but it is a significant achievement, and a lot of Miracle Day is best understood as an opportunity for the franchise “to go American.”

Defying classification...

Defying classification…

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