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The X-Files – Christmas Carol (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

Part of the challenge of the fourth and fifth seasons is watching The X-Files adapt the speed of its mythology.

The mythology has a very clear momentum in the first three seasons. For all that Chris Carter and his writers loved teasing out new questions, there was a clear sense of momentum and movement. The show had gone from a series about an isolated alien abduction in The Pilot to a series with a date set for the alien colonisation of Earth in Talitha Cumi. For all that the series was accused of being ambiguous and mysterious, there was a sense that it was at least going somewhere.

And so this is Christmas...

And so this is Christmas…

Things changed during the fourth season, most likely as the prospect of The X-Files: Fight the Future loomed in the future. It was clear that Fox would not allow Carter to set an end date on the television show before transitioning to feature films, and that the series would have to stretch beyond Carter’s original roadmap for it. All of a sudden, the mythology started stalling. The fourth season’s mythology had no clear direction in which to go, as evidenced by the fact that the decision to give Scully cancer in Leonard Betts was an eleventh hour decision with no long-term planning.

The fifth season’s mythology comes with its own particular set of problems. The movie had been written during the fourth season and filmed during the gap between the fourth and fifth seasons. This is quite evident in the way that the movie carries over abandoned elements of the fourth season mythology like the bees, who do not register at all in the fifth season. However, this also meant that the end point of the fifth season was essentially set in stone for the production team. The End would have to lead into Fight the Future, no matter what happened in the intervening nineteen episodes.

Picture perfect...

Picture perfect…

This means a lot of things for the fifth season. It means that the fifth season is stuck with the “Mulder as a skeptic… sort of” setup until Fight the Future, even if the show generally ignores it as much as it can. It also means that the mythology episodes probably should not contain any earth-shattering revelations or introduce any major character who were not already written into the film. Although Patient X and The Red and the Black effectively throw out these constraints almost completely, Christmas Carol and Emily try to adhere to them.

The result is a mythology episode that adheres rather closely to the successful approach adopted by Tempus Fugit and Max, a story that takes the backdrop of what the show has already revealed about the conspiracy and then uses that as a setting in which it can tell a decidedly more intimate and personal story.

It's a Scully family Christmas...

It’s a Scully family Christmas…

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