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Non-Review Review: A View to a Kill

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

A View to A Kill is not fondly remembered. In fact, it frequently finds itself listed amongst the dregs of the Bond films when the time comes to rank the worst of the British secret agent’s on-screen adventures. Truth be told, I find that rather harsh – I’d argue that it’s a significantly stronger effort than The Man With The Golden Gun, at least – as well as possibly Octopussy and Moonraker. After all, both Roger Moore and Christopher Walken look like they are having such a ridiculously good time.

Not quite a towering accomplishment…

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On Second Thoughts Re-View Review: The Town (Extended Cut)

Sometimes when I see a movie a second time, I see a little bit more. Sometimes it’s watching an alternate cut or something, but it can be as simple as watching the movie a second time and knowing how it’ll end the whole way through. So I thought I’d try something new. I’d make notes on what I thought of certain films when I saw them a second time – let’s call it a “re-view review”, eh? Maybe they’ll become a semi-regular fixture.

When I first caught The Town, I admitted to being a bit disappointed with it. It was a good film, but it wasn’t quite as consistently brilliant as many people had led to me to believe. Don’t get me wrong – I enjoyed it (get more of my thoughts on it by checking out the review) but it just seemed like something was missing from the film, even if I didn’t know what. So, when dad returned from the video shop with it on Friday, we all sat down to watch the special “extended cut” of Ben Affleck’s film. And I absolutely loved it.

Hamming it up a notch...

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Non-Review Review: Moonraker

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

James Bond has always been susceptible to trends. Be it a nod to the kung-fu craze of the late seventies in The Man With The Golden Gun or the more modern focus on the Bourne film series in Casino Royale and Quantum of Solace, the film series has always been aware of popular tastes. While certain unions might seem a little eccentric (the fusion of the series with Miami Vice to produce Licence to Kill), there’s probably not a more bizarre blend than the attempt to emulate the success of the original Star Wars films within the framework of a film franchise based around a suave British spy.

Roger Moore’s hanging on in there…

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Non-Review Review: The Spy Who Loved Me

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Spy Who Loved Me was just what Bond needed after The Man With The Golden Gun. Let’s be honest here, the movie has perhaps the strongest and most iconic opening sequence of any Bond movie – even those who haven’t seen the film know the beats off by heart. Bond is skiing, escaping a Russian ambush in the snow. He’s giving as good as he gets, but he’s cornered – out numbered and outgunned. In a moment of desperation, Bond flees his attackers, skiing off the side of a cliff.

It’s a cliffhanger…

For a moment, there is nothing but silence. As the stunt man tumbles through the air, the music stops cold. It’s not just the audience holding their breath as they watch Bond enter free fall. Is this it for our illustrious secret agent? You know it can’t be more than a couple of seconds, but it seems to last an eternity. And then…

And then…

The Bond music kicks into gear as the parachute opens – a Union flag. And then the opening beats of Nobody Does It Better sound in the background as Bond makes good his escape. Let’s face it, the movie could end there and it would be the best thing to happen to Bond since Sean Connery left.

Nobody does it better…

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Let Bond Be Bond: What We Want from Bond 23

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The 23rd Bond movie had its release date confirmed as 9th November 2012, putting an end to the perpetual development hell that it seemed trapped in. With Oscar-winner Sam Mendes in the director’s chair, there would seem to be very little to worry about, but I thought – nonetheless – I’d collect some thoughts on what I’d like to see in the 23rd instalment of the long-running film series.

Shaken... but not stirred...

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Non-Review Review: The Man With The Golden Gun

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Man With The Golden Gun is frequently derided as the worst film of the Roger Moore era, guilty of taking all the excesses of the period and turning them up to eleven. Being honest, I’m not entirely convinced. Don’t get me wrong, it’s a bad film – one of the worst Bond films – but I’m not entirely convinced that it is as universally disappointing as Moonraker or as ridiculously underwhelming as Octopussy. There is, I’d argue, very possibly one tiny little gem buried amid this trainwreck of a Bond film – the man with the golden gun himself, as played by Christopher Lee.

This foe is going to put Bond through his paces…

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Non-Review Review: Live and Let Die

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Who’s the black private dick honky secret agent who’s a sex machine to all the chicks? Bond, James Bond.

It’s blaxploitation, but with a British accent.

Strange bedfellows…

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Non-Review Review: From Russia With Love

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Dr. No demonstrated that Ian Fleming’s suave British secret agent could make it to screen. Sean Connery’s James Bond was on the pop culture map, but perhaps just short of becoming a pop culture icon – that was a sequel or two away. Of course, a second movie was pushed into development, with a rich library of Fleming’s novels to adapt – as faithfully or as loosely as the producers might like. When President Kennedy, one of the other “coolest men of the sixties”, announced that From Russia With Love was his ninth favourite novel of all time, it seemed th choice had been made. Rumour has it that Alfred Hitchcock was at one point intended to direct the film, but Terrence Young’s From Russia With Love is still a wonderfully iconic Bond film, which represents a pretty large step from “an entertaining espionage movie” to “globe-spanning spy franchise”.

Bond was already making a splash at this stage of his career...

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Non-Review Review: Dr. No

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Sure, there’s an opening scene involving the murder of a British agent stationed in the Caribbean, but the start of the movie that everybody remembers takes place in a late-night British casino over a game of card. A beautiful young woman is losing to the suave cigarette-smoking stranger on the opposite side of the table. “I admire your luck, Mister…?” she remarks, locking eyes with the figure. He coyly lights a cigarette.

“Bond,” he introduces himself. “James Bond.”

The rest is cinematic history.

You know the name… You know the number…

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Who is Bond?

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

If you only count official EON productions, there have been six actors to play the role of suave British Secret Service agent James Bond, 007. However, the continuity of it all gets kind of tangled. Is Roger Moore’s clownish spy the same person as Daniel Craig’s cold-hearted assassin? Has the same agent been in operation since Dr. No (clearly taking place in the 1960s) through to Quantum of Solace (featuring all the technology of now)? There’s a popular fan theory that “James Bond” is just a cover identity, passed down from agent to agent as easily as the number “007” – so each iteration of the character is a different agent given the rank. It actually holds up surprisingly well when you watch the twenty-films in the official series.

What’s on the cards?

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