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Non-Review Review: Fear Street Part Two – 1978

Fear Street Part Two: 1978 sets itself a more modest goal than Fear Street Part One: 1994.

Part of that is simply the luxury of being the second part of a larger series. Fear Street Part Two: 1978 has appreciably less table-setting to do than Fear Street Part One: 1994, as the earlier film did a lot of the hard work in terms of establishing rules and building a framework for the trilogy’s internal mythology. While Fear Street Part Two: 1978 obviously builds on the foundations established by Fear Street Part One: 1994, it also has the luxury of working within an established template that saves it the bother of having to unload a lot of exposition very quickly while also serving as a self-contained slasher tribute.

Camp Fear.

Part of it is also because Fear Street Part Two: 1978 is referencing a much less ambitious and self-aware set of movies. Fear Street Part One: 1994 was drawing from a pool of self-aware nineties horror movies like Scream, Urban Legends and I Know What You Did Last Summer, movies made by filmmakers who had grown up watching classic slasher movies on video cassettes and wanted to put their own self-aware spin on the genre and its conventions. So Fear Street Part One: 1994 was a self-aware riff on self-aware riffs on the genre. In contrast, Fear Street Part Two: 1978 draws from a purer sort of slasher movie.

These two factors mean that Fear Street Part Two: 1978 feels a lot less busy and cluttered than Fear Street Part One: 1994, if appreciably less ambitious. More than that, with a lot of the mythology building out of the way, Fear Street Part Two: 1978 is able to use its own narrative real estate to deepen and develop the core themes of the trilogy, foregrounding its big ideas with a little more finesse than the previous entry. The result is a movie that is perhaps less energised and less dynamic than its predecessor, but also a lot more comfortable and assured in what it is doing.

Sister, sister.

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