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Doctor Who: The Sontaran Stratagem (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Sontaran Stratagem originally aired in 2008.

Sontar-Ha!

– Sontaran hakka

The expectations for the opening two-parter of any Russell T. Davies season are markedly different from the expectations surrounding the second two-parter or even the season finalé – just as the expectations for the opening few episodes are different from the expectations for a mid-season stand-alone. It should go without saying, but it’s worth stressing at this point. The opening two-parter of a Davies season isn’t meant for the adults in the audience – it’s traditionally aimed towards the kids, with big epic iconic monsters, ridiculous set-pieces, broadly-defined settings and little room for nuance.

That’s not to excuses messes like World War III or Evolution of the Daleks, but simply to place them in context. The Sontaran Stratagem and The Poison Sky aren’t quite as profound or weighty as The Fires of Pompeii or Planet of the Ood. Instead, they offer bombastic spectacle, goofy visuals and a heightened sense of absolutely everything. In other words, The Sontaran Stratagem and The Poison Sky combine to form the strongest opening two-parter of the Davies era.

They hardly represent a crowning artistic accomplishment for the show, but they do a great job of accomplishing what they set out to do.

There's a potato eyes joke here, but I just can't make it work...

There’s a potato eyes joke here, but I just can’t make it work…

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