• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek (DC Comics, 1984) #9-16 – New Frontiers (aka The Mirror Universe Saga) (Review)

The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.

Eight issues is a long time in the world of comic books, even by the standards of modern storytelling. Committing to the same story arc for two-thirds of a calendar year is a big decision, even moreso in December 1984. Nevertheless, DC comics committed to an eight-issue Star Trek story arc in the wake of Star Trek III: The Search for Spock, on throwing Kirk and the crew into a truly epic adventure with the fate of the Federation hanging on the line. It is no wonder that The Mirror Universe Saga remains the gold standard for Star Trek comic books, reprinted and repackaged repeatedly over the years.

The Mirror Universe Saga is an epic in just about every sense of the word, spanning two universes and eight issues. Not only do writer Mike Barr and artist Tom Sutton find themselves handling the fallout from the last feature film, but they also dabble in an iconic piece of Star Trek history. The Mirror Universe Saga takes full advantage of its format to offer a spectacular and impressive adventure that would have been impossible to realise on film in 1984 – indeed, it is hard to imagine television or cinema doing justice to the scale of the adventure now.

Meeting of minds...

Meeting of minds…

However, The Mirror Universe Saga succeeds on more than simply epic scale and meticulous attention to detail – although Barr and Sutton provide those with gusto. Despite everything going on around it, The Mirror Universe Saga largely works because it never loses track of the characters at the heart of the story. While the Terran Empire might be plotting an invasion in the midst of an internal revolution, the more powerful moments of The Mirror Universe Saga come from throwing the characters into contact with their alternate selves.

In 1984, it seems like The Mirror Universe Saga had figured out what would be the core ingredients for the most successful follow-ups to Mirror, Mirror. It deduced that the mirror universe could not just be playground where everything is gloriously and campily evil; it had to retain some level of emotional reality or connection. What good is a mirror if it is not reflecting anything?

Set course... for eeeevil!

Set course… for eeeevil!

Continue reading