To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.
Cold Blood originally aired in 2010.
It is the story of our past and must never be forgotten.
– Eldane attempts to justify the “traditional monster” two-parters the revived show is so fond of
The Hungry Earth wasn’t too bad. It wasn’t great. There was nothing too exciting or novel about it, but it wasn’t a complete failure. It was an interesting and affectionate throwback to an older style of Doctor Who. It wasn’t exceptional, but it was -broadly speaking – functional. Chris Chibnell’s script had some rough edges, mostly around characterisation, but there was nothing too unworkable about the premise, which basically consisted of a selection of classic Doctor Who tropes thrown in a blender and served up to the audience.
However, Cold Blood is much less satisfying. Part of that is because it’s part of a story that can’t be sustained by nostalgia or affectionate references to tales long past. There’s also the fact that it hinges on an emotional climax that asks us to invest in an especially two-dimensional supporting cast. And that’s saying nothing about how the last few minutes of the episode aren’t even devoted to tying up its own threads so much as playing into the much more interesting season-long arc.
Cold Blood leaves me… well, cold.
Doesn’t scan…
Filed under: Television | Tagged: amy pond, bbc, Chris Chibnall, cold blood, doctor, DoctorWho, Earth, eva green, Law & Order UK, Moffat, Paul Cornell, rory williams, russell t. davies, science fiction, steven moffat, tardis, the hungry earth, Time Lord | Leave a comment »
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