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Star Trek: The Next Generation – The Child (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

Let’s play make believe for a second here. Let’s imagine you are producing a television show that had a very rocky first season, but seemed to be making steps in the right direction. This was a show already respected for its depiction of social issues like racism or drug use…

However, despite that, the first year of the show had some major gender issues. Your writers and actors had been pointing out that some of the episodes in that first year could be considered sexist. Of the three actresses in you regular cast, two left. One became the first regular on a Star Trek show to die in the middle of the season, and you had to write the first episode of the second season to write out the other actress who had been having some trouble with a male producer.

Now, keeping all that in mind, let’s carefully consider what to do with the remaining female lead character. If you are producing the second season of Star Trek: The Next Generation, you choose to have an alien impregnate that character without consent, use her body as incubation chamber, exploit her maternal instincts and then make her watch what she believes to be her own child die. More than that, you make sure that the female character is completely superfluous to the script itself, and that nobody seems to care particularly about her.

Don't worry, Troi. Face of the Enemy is less than half a decade away...

Don’t worry, Troi. Face of the Enemy is less than half a decade away…

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Star Trek: The Next Generation – The Neutral Zone (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Watching The Neutral Zone, it’s hard not to feel that the first season of Star Trek: The Next Generation should have wrapped up with Conspiracy. At least that would have represented a bold step forwards, even if it wasn’t the direction that the show would ultimately take. In contrast, a lot of The Neutral Zone falls back into the trite, patronising arrogance that we’ve seen our crew demonstrate repeatedly over this first year, treating three refugees from twenty-first century Earth as an excuse to lord their superiority over the viewers at home. It’s a rather strange direction to take, and it certainly doesn’t make for good television. Which feels like a bit of a waste, given that the B-plot is actually quite workable.

"We're back."

“We’re back.”

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Star Trek: The Next Generation – Arsenal of Freedom (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I suppose that Arsenal of Freedom could be worse. At its heart, it’s the sort of issue-driven story that the classic Star Trek did so very well. The original Star Trek was fond of constructing clever (and not so clever) explorations of the issues of the day, giving the audience a relatively simplistic morality play about the dangers of certain vices and the risks that they might pose to a civilised society. Later on its run, Star Trek: The Next Generation would handle its own morality plays with just a bit more nuance and sophistication, favouring deliberate and considerate probing rather than its predecessor’s endearing brashness. Like so much of the first season, Arsenal of Freedom feels like it is an attempt to capture the flavour of those sixties episodes.

At least, though, the show concedes that time has passed, and that social mores have shifted. The social issues of the day are no longer hippies (The Way to Eden) or simplistic racism (Let That Be Your Last Battlefield), and Arsenal of Freedom is a “message show” for the eighties. It is a morality tale about the dangers of unchecked capitalism and the risks of weapons development. It’s clumsy, awkward and a little forced, with The Next Generation not quite suited to this particular form of heavy-handed moralising, but it could be a lot worse. Which, I suppose, is something.

Looks like we've got a Minos problem here...

Looks like we’ve got a Minos problem here…

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Star Trek: The Next Generation – Coming of Age (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Coming of Age is interesting, if only because it is one of those rare instances where an episode’s B-story is far more compelling and interesting than the primary drama unfolding. Coming of Age is apparently about Wesley’s entrance examination to Starfleet Academy, which seems to have quite high standards for an organisation that let Riker and Yar into its ranks, but that teenage academic story feels a little trite and cliché.

Far more interesting, however, is the strange investigation conducted into the crew of the Enterprise at the behest of Admiral Gregory Quinn, who makes a dramatic impression by suggesting to Picard, “I have reason to believe there may be something very wrong on this ship.”

Evidently he has been watching the first season as well.

Picard off-guard...

Picard off-guard…

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Star Trek: The Next Generation – 11001001 (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Maybe it’s just because I’m delirious coming out of Angel One, an episode that managed to make Datalore look almost reasonable by comparison, but I quite like 11001001. Part of that comes down to the fact that it’s one of the few episodes in this troubled first season that manages to take the restrictions imposed on the show by Roddenberry and make them work. It helps that the aliens of the week – the Bynars – are among the more interesting creatures to appear on the show so far. And it finally makes for a nice Riker episode, finding a way to team up Riker and Picard, a duo that haven’t spent enough time together at this point in the series.

Base, the final frontier...

Base, the final frontier…

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Star Trek: The Next Generation – Angel One (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Any time I worry that I might have been too kind on Datalore, watching Angel One tends to set me straight relatively quickly. Watching Angel One feels like somebody in the writers’ room said, “I really liked the racism in Code of Honour! Can we do that again, but with sexism?” It’s very difficult to imagine to imagine how the script got into production without somebody raising red flags about it. While a lot of the racism of Code of Honour arose from the decision to cast the Ligonian characters as black, sexism in hardwired into the DNA of Angel One, making it one of the most unfortunate scripts in a long line of unfortunate scripts.

I believe in Angel One... something crappy in every season of TNG...

I believe in Angel One… something crappy in every season of TNG…

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Star Trek: The Next Generation – Haven (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Haven is… not as terrible as I thought it would be. There have been select episodes I’ve been dreading on my re-watch of this awkward first season. I was right to fear Code of Honour. I had perhaps been a tiny bit too harsh on The Naked Now. I am quaking at the prospect of watching Angel One and Too Short a Season again. However, Haven wasn’t nearly as bad as I feared that it would be. Don’t get me wrong, it’s filled with plot holes and it is as dull as anything, but it’s not actively that bad. If it sounds like I’m damning with faint praise, then I probably am.

Safe Haven?

Safe Haven?

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Star Trek: The Next Generation – Hide & Q (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I have a confession to make. I quite like the first half of Hide & Q. Don’t get me wrong, the ending of the episode ruins any goodwill that sequence built up, and the opening section of the story isn’t exactly amazing – it’s just crafted more competently than any episode since Where No One Has Gone Before. I think part of the reason I enjoyed that first half of Hide & Q so much more than most of the recent episodes is because it accomplishes something that Star Trek: The Next Generation has been trying to do since The Naked Now, and with much more success. It manages to channel the original Star Trek.

Okay, the first half wouldn’t make an exceptional episode of the original Star Trek. It wouldn’t even make a great episode of the original Star Trek. It would, however, make a somewhat passable episode of the original Star Trek. Which is, sadly, more than enough to put it quite ahead of most of the other episodes in this first season so far.

Caught in the net…

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Star Trek: The Next Generation – The Battle (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

The Battle represents a curious midpoint in the evolution of the Ferengi. When they first appeared in The Last Outpost (after being mentioned in Encounter at Farpoint), the aliens had been considered as viable replacements for the Klingons and Romulans as the primary antagonists of Star Trek: The Next Generation. Despite the presence of Worf on the Bridge, the bible for The Next Generation expressly forbade plots involving the Klingons or Romulans, with the creators afraid of returning to that particular well. (It would be towards the end of the season that both races would make a comeback, in big ways.) With neither of those races available, there was a void, and the Ferengi had been created to fill that void.

However, their introduction in The Last Outpost had been an unmitigated disaster, reducing the species to failed comic relief in their very first episode. The Battle is the second story to feature the aliens, and it never seems quite sure how to handle them. Does it present them as a credible threat, or merely as an awkward annoyance not to be taken seriously? The Battle can’t decide, and that’s just the most obvious of the episode’s fundamental problems.

They have yet to figure out an angle that works for the Ferengi…

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Star Trek: The Next Generation – Justice (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I’ve been harping on quite a bit about how too much of the first season of Star Trek: The Next Generation is trying to hard to be classic Star Trek, without acknowledging that the original series was the product of a very different society and outlook. You can’t literally map familiar beats and metaphors on a one-for-one basis and expect them to work perfectly inside a storytelling engine that is radically different. It’s easy enough to imagine Justice working as a classic Star Trek episode.

Indeed, it seems quite similar to The Apple, among others. However, it’s the differences that are telling, and it’s the differences that serve to take what might have been an entertaining piece of fluff from the sixties and turn it into a near-catastrophic misfire in the eighties.

“This show is about Riker trying to what an alien?”

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