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The Lone Gunmen – All About Yves (Review)

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

The broad consensus would seem to suggest that All About Yves is the best episode of The Lone Gunmen.

While this is perhaps unfair to Madam, I’m Adam and Tango de los Pistoleros, it is certainly a defensible position. All About Yves is one of the tightest shows of the season, and marks the first time since The Pilot that a plot has managed to actually build momentum and tension across its run-time. As effective as the climaxes of Madam, I’m Adam and Tango de los Pistoleros might have been, the first season of The Lone Gunmen doesn’t really offer much in the way of dramatic stakes.

"This looks familiar..."

“This looks familiar…”

In a way, that is to be expected. The Lone Gunmen is, first and foremost, a comedy. There are points in the first season where it feels like The Lone Gunmen exists primarily as a silo to store all the displaced comedy that the production team stripped out of the sombre eighth season of The X-Files. (Cynics might suggest that there wasn’t quite thirteen episodes’ worth of comedy to be re-homed.) It is hard to feel too stressed when Langly is threatened in Bond, Jimmy Bond or when a poacher points a gun at Byers in Diagnosis: Jimmy.

That is the beauty of All About Yves, managing to create a growing sense of tension and unease without sacrificing any of the show’s humour. Indeed, with the addition of guest star Michael McKean to the cast, All About Yves winds up funnier than about half of the preceding season.

The truth is out there...

The truth is out there…

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