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X-Over: The X-Files & Steven Moffat’s Doctor Who

It goes without saying that The X-Files was a massively influential television show. As early as its second season, the show had launched all manner of imitations and copycats, both inside and outside the Fox Network. It seems quite likely that Fox invested two-and-a-half million dollars in the failed Doctor Who relaunch of 1996 in the hopes of spinning off another cult/mainstream science-fiction hit like The X-Files. It was launched as a two-hour television movie, failing to earn the rating necessary to spin it off into a weekly series.

However, although the 1996 telemovie provides an obvious point of intersection between The X-Files and Doctor Who, the influence of The X-Files can perhaps be most keenly felt in Steven Moffat’s work on the relaunched television series. Moffat is credited as the producer who helped the show to “break” America during his second year as showrunner, and he did so in a number of ways. Perhaps the most interesting is that he leaned rather heavily on The X-Files as a point of cultural intersection.

Shades of greys...

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The X-Files – Darkness Falls (Review)

Darkness Falls is the best script Chris Carter has written so far. It it is far superior to Fire or Space or Young at Heart or The Jersey Devil or even The Pilot. It’s quite possibly the strongest normal “monster-of-the-week” episode that Carter ever wrote, discounting his work on “special” episodes (like Post-Modern Prometheus or Triangle) or even some mythology stories (I’m quite fond of Redux).

Darkness Falls is – at its most basic – just a very strong monster-of-the-week installment, hitting all the right buttons to provide an atmospheric horror thriller.

If a tree falls in the woods...

If a tree falls in the woods…

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