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Non-Review Review: China Salesman

China Salesman is fascinating disaster.

China Salesman is not a good film by any measure, but it is strangely compelling. There is something intoxicating about the film, in spite of its myriad flaws – the awful script, the atrocious dubbing, the clumsy editing, the terrible performances, the muddled storyline, the abundance of nonsensical technobabble. Part of this is down to the sheer abundance of energy that director Tan Bing brings to proceedings. China Salesman whips and whirls, cranks and zooms, pans and swirls with a kinetic energy that renders these flaws almost bedazzling, offering an effect that in some ways evokes a bad trip.

The gun show.

However, China Salesman is perhaps most interesting as a mirror and a prism. It is, like Wolf Warrior II, very much the Chinese equivalent to those old patriotic eighties American action movies like Delta Force or Iron Eagle, the kind of populist nationalist cinema that is currently channeled through franchises like Transformers. As such, there is something intriguing in seeing the image that China Salesman projects into the world, as an assertion of multinational intent to the rest of the world and as a statement of patriotic self-image to the country itself.

China Salesman is terrible. It is also terribly interesting.

The old man and the Seagal.

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