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Doctor Who: The Happiness Patrol (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Happiness Patrol originally aired in 1988.

Think I’ll hang out here for a while, Doc. See if I can teach this planet the blues again.

Yes, thank you for giving them back to us, Doctor.

– Earl and Susan shouldn’t be so surprised that the Doctor is fond of blue

The Happiness Patrol is an absolutely fascinating piece of Doctor Who. On the surface, it’s another example of the series’ rapidly falling budget and the production values point towards the show’s impending cancellation. While nowhere near as dodgy as Warriors of the Deep, The Happiness Patrol looks like a very cheap piece of television, struggling to realise a futuristic colony on a tiny budget. On a purely superficial level, The Happiness Patrol is really the kind of show that Michael Grade could point to and argue that Doctor Who was a show that desperately needed to be put out of its misery.

However, if the viewer is willing to pull back the layers a bit, and to peer beneath the somewhat rough trappings of The Happiness Patrol, the adventure is really everything that eighties Doctor Who could ever want to be. There is a reason that the serial has, somewhat improbably, endured. In 2010, The Happiness Patrol became headline news in Great Britain, with national newspapers astounded by the audacity of Andrew Cartmel’s vision for the show. The following year, the Archbishop of Canterbury casually name-dropped it in an Easter Sermon.

These references aren’t derogatory. These are proof that The Happiness Patrol, despite its dodgy special effects and the limitations of its production design, is one of the most important Doctor Who adventures of the eighties.

He's perfectly sweet!

He’s perfectly sweet!

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