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The Sopranos: I Dream of Jeannie Cusamano (Review)

From pretty much the opening scene, I Dream of Jeannie Cusamano begins wrapping up loose ends with a ruthless efficiency. Jimmy, the rat identified in Nobody Knows Anything, is murdered less than five minutes into the episode. All the various plot threads seeded throughout the show’s first year come to a head. The feud between Junior and Tony is resolved. The FBI swoop in. Tony and Melfi talk it out and figure out exactly what their relationship is. Even Artie’s restaurant becomes a focal point, providing a direct link back to the very first episode.

For all the talk of randomness and inconsistency in The Legend of Tennessee Moltisanti, everything here seems to come a full circle. It’s absolutely stunningly executed, and one of the best things that can be said about I Dream of Jeannie Cusamano (and one of the best things that could be said about any piece of television drama ever) is the fact that it feels so much deeper and richer than its runtime. We know that it’s an hour-long, but it really feels so much meatier and more substantial than that.

It’s a beautiful culmination to a year’s worth of television.

Lights out...

Lights out…

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