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Grant Morrison’s Seven Soldiers of Victory: The Guardian (Review)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

The Guardian really just gives Grant Morrison a chance to play with a whole bunch of high concept crazy ideas inside a loose superhero framework, while allowing the scribe to play with various outmoded comic book concepts. Of course, there are elements of that within the other stories (and, to be frank, within most other major superhero titles the author has ever written), but The Guardian stands out amongst these Seven Soldiers of Victory miniseries as perhaps the most “Morrison-esque” of them.

Making headlines...

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Tintin: The Black Island (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

The Black Island is a fun piece of pulp fiction, which wonderfully feels like Hergé was drawing on whatever pop culture reference was closest to hand at the time. In a way, this strange blend of influences mixes to produce a cocktail that fits surprisingly well against this instalment’s British background. It also features some of Hergé’s strongest artwork, in my own very humble opinion. It might lack the sort historical and political context that defined The Broken Ear and The Blue Lotus, but it’s still a more-than-worthy entry in the series.

Well, don't they have egg on their faces...

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Supermarionation: Memories of the Gerry Anderson Shows…

Pert of me wonders if I’m writing of an experience unique to those who grew up in the British Isles. I’m not sure if the fad ever really caught in the United States during the sixties when the shows were originally produced or if they enjoy the same sort of nostalgia that they do over here. Of course, the production and success of Team America: World Police would suggest that American audiences are familiar with work of Gerry Anderson, but I somehow doubt that the shows he produced (most notably Thunderbirds, Stingray and Captain Scarlet and the Mysterions) made as strong an impact to kids who weren’t exposed to them every morning before school.

Having a ball...

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