• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek: Deep Space Nine – The Lives of Dax: Reflections (Jadzia) by L.A. Graf

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

The Trill are an absolutely fascinating species, arguably much more so on Star Trek: Deep Space Nine than they were on Star Trek: The Next Generation. They were introduced in The Host as a race that was relatively straightforward – a bunch of symbionts living inside humanoid bodies. There was no indication that the host was anything but a blank slate for the organism inside to overwrite and control.

On Deep Space Nine, they became much more complex. The show’s first Trill-centric episode, Dax, pondered if it was possible to divorce the actions of the host from those of the symbiont, or vice versa. Though the episode in question wimped on giving a definitive answer one way or the other, the implication is that each Trill is a fusion of host and symbiont, rather than one dominating the other. Because of that, it seemed like the show always had trouble defining Jadzia (the character on the show) relative to Dax (the sum of lifetimes of experience).

As such, it’s hard not to pity veteran writers Julia Ecklar and Karen Rose Cercone (writing as “L.A. Graf”) for drawing the short straw and winding up writing the story from the anthology The Lives of Dax focusing on Jadzia.

ds9-thelivesofdax1

Continue reading

Star Trek: Deep Space Nine – The Siege (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

The Siege wraps up the first ever three-part episode of Star Trek in a surprisingly efficient manner. There are a few missteps, a lack of nuance and an over abundance of convenience and simplicity. However, it succeeds in doing what this opening three-parter set out to do. It tells a single story which could only ever have been told on Star Trek: Deep Space Nine. It gives a sense of scale to the show which is unique to the series, and it creates a palpable sense of uncertainty about the Federation’s mission to Bajor.

"He's letting me know, he'll be back..."

“He’s letting me know, he’ll be back…”

Continue reading

Star Trek: Myriad Universes – Echoes and Refractions: A Gutted World by Keith R. A. DeCandido (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

“What if” stories are inherently fascinating. Naturally, they are predicated on investment in the original story, but it’s always fascinating to imagine the branching possibilities, the ripples in the stream. Sometimes, these are used to explore the grand philosophical questions of Star Trek in a new light; to imagine how, were you to change one variable in a complex formula, the answer might be radically different.

However, Keith R. A. DeCandido’s A Gutted World feels different. It is a massive story, spanning a huge amount of time and space, drawing in a massive ensemble cast and gently probing the politics of five or six different Star Trek culture, as DeCandido explores what might have happened if the Cardassians never withdrew from Bajor, if Terok Nor never became Deep Space Nine.

To put it more succinctly, if the show never happened, but its central storyline still did.

st-myriaduniverses

Continue reading

Star Trek: Deep Space Nine – The Circle (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

Drama naturally lends itself to a neat three-act structure. At the most basic level, it’s as simple as beginning, middle and end. However, it’s also a format taught in just about every screenwriting course, and it’s even used as the conventional model for those with more innovative approaches. With that in mind, it’s interest that Star Trek has done relatively few three-part stories. The Circle sits in the middle of the first such attempt, in the second season of the second spin-off. The format would not see use again for over a decade, when it would become a feature of the final season of Star Trek to air on television.

Given the franchise is relatively fond of two-parters, it seems strange that there haven’t been more attempts to extend that out an episode. Perhaps the reason is obvious. Of the three acts, the beginning and the end are the most essential. Both come with a certain in-built amount of energy. The first part introduces the problem, while the conclusion deals with it. However, it’s the middle which proves problematic. It’s the point in the story after you’ve set up the conflict, but before you resolve it. Given how much difficulty Star Trek: The Next Generation had with conclusions, imagine how difficult the second part of a three-parter would be.

Even when Star Trek: Enterprise adopted the three-parter format it ran into basic structural difficulties, with a couple feeling like a two-part episode with an additional prologue or epilogue added on. The Circle isn’t a terribly flawed piece of television, but it suffers from the fact that Star Trek has never really tried storytelling in this mode before.

The writing's on the wall...

The writing’s on the wall…

Continue reading

Star Trek: Deep Space Nine – The Homecoming (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

The Homecoming is notable for a number of reasons. It kicks off the franchise’s first three parter. Sure, Family provided a nice epilogue to The Best of the Both Worlds, but The Homecoming, The Circle and The Siege represents the first explicit three-part story in the history of the franchise. Star Trek: Enterprise would develop a fondness for the format in its final season and one of those three-parters (The Forge, The Awakening and Kir’Shara) would owe a conscious debt to this opening trilogy.

It also pretty much sets the tone of season premieres on Star Trek: Deep Space Nine. Star Trek: The Next Generation and Star Trek: Voyager would both display a fondness for bridging their seasons with two-part adventures. The opening episode would air as a season finalé, with the resolution airing as the opening episode of the following season. Deep Space Nine was not so literal minded. While each season premiere was informed by the themes and events of the last season’s closing episode, Deep Space Nine tended to favour opening with multi-part episodes rather than conclusions to narrative hooks.

Rather than wrapping up the threads hinted at in In the Hands of the Prophets, The Homecoming only builds on them. It suggests that the problems and the difficulties facing Bajor won’t magically disappear because ninety minutes of screen time have elapsed.

Dynamic Kira action pose!

Dynamic Kira action pose!

Continue reading

Star Trek: Deep Space Nine – In the Hands of the Prophets (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Both Star Trek and Star Trek: The Next Generation allowed their first seasons to run an episode too long. The City on the Edge of Forever, the penultimate episode of the first ever season of Star Trek, is a genuine classic. I don’t envy any story that has to follow it, especially not something as mediocre as Operation — Annihilate! While Conspiracy, the second-to-last episode of the first season of The Next Generation, is hardly a classic in the same league, it does up the stakes on the show’s first year, and tie up a dangling plot thread. The Neutral Zone, on the other hand, is a bland return to form, with a particularly insufferable b-plot.

So the excellence of Duet might offer the viewer cause to worry. A penultimate first-season episode which is significantly above average? One would be forgiven for wondering if the first season might have been best served to wrap itself up at that point, going out in a high, safe in the knowledge that it had contributed one classic episode to the Star Trek mythos and with the potential to offer quite a few more. Quit while you’re winning, and don’t tempt fate with another superfluous episode.

In the Hands of the Prophets, however, puts those fears to rest. Serving as a companion piece to Duet, it’s another one of those “only on Deep Space Nine stories, closing out the first season with a reminder of what makes the show unique. In the Hands of the Prophets is another classic piece of Deep Space Nine. It might not pack quite the punch that Duet did, but it’s a compelling piece of drama which demonstrates just how much Deep Space Nine has to offer the Star Trek mythos.

Beyond belief...

Beyond belief…

Continue reading

Star Trek: Deep Space Nine – Duet (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit the first truly classic episode of Star Trek: Deep Space Nine. Positioned almost at the very end of what has been a fairly uneven season of television, Duet firmly demonstrates that this spin-off can hold its head tall among the other franchise installments. Duet isn’t just a quintessential Deep Space Nine episode. It isn’t just a classic Star Trek episode. It is an absolutely beautiful piece of allegory, a stunning character study and a probing exploration of collective guilt and responsibility.

J'accuse...

J’accuse…

Continue reading

Star Trek: Deep Space Nine – Dramatis Personae (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Dramatis Personae tends to get lost in the shuffle at the end of Star Trek: Deep Space Nine‘s first season. Sitting between two of the season’s most generic Star Trek stories (If Wishes Were Horses… and The Forsaken) and two distinctly Deep Space Nine classics (Duet and In the Hands of the Prophets), it’s easy to see why Joe Menosky’s tale of repeated history tends to get overlooked. It manages to sit quite neatly in both camps, as a generic Star Trek tale and as something more specific to Deep Space Nine.

After all, possession stories are scattered throughout the Star Trek mythos. Star Trek: The Next Generation was quite fond of have various members of the crew impersonated or doubled or controlled by a variety of alien influences. Dramatis Personae also feels like a very Joe Menosky script, linked by various thematic connections to the writer’s work on both The Next Generation and later on Star Trek: Voyager.

And yet, despite all those links, Dramatis Personae feels quite anchored to Deep Space Nine. It’s hard to imagine the dynamic working with any other Star Trek cast, even Voyager‘s Maquis and Starfleet ensemble. There’s also the sense that the episode’s pattern of repeated history feels more in keeping with Deep Space Nine‘s perception of history than any other Star Trek show’s.

The man with the plan...

The man with the plan…

Continue reading

Star Trek: Deep Space Nine – The Forsaken (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Following on directly from If Wishes Were Horses…, The Foresaken combines another bunch of familiar Star Trek clichés into a plot that fells like it has been elsewhere. To be fair, the “malfunctioning computer” plot is a plot that lends itself to a Star Trek setting, and the key is the execution of that most familiar set up. The franchise has done it quite well in the past. I’m fond of Star Trek: The Next Generation‘s foray into the subgenre with Disaster. Even Star Trek: Deep Space Nine would do a number of later episodes working quite well from this starting point – Civil Defense and Starship Down ranking quite highly.

The problem with The Foresaken, then, isn’t the fact that it falls back on a bunch of familiar Star Trek clichés, but it fails to use them to tell an especially compelling story.

Oh, what a world!

Oh, what a world!

Continue reading

Star Trek: Deep Space Nine – If Wishes Were Horses… (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And after Progress gives us the most Deep-Space-Nine-y” episode yet, If Wishes Were Horses… offers the most generic Star Trek episode this side of The Passenger. The plot here should be very familiar. Like in Imaginary Friend or Shore Leave, the characters find their imaginations seem to be bringing things to life. Of course, it turns out to be an advanced alien intelligence that really just wants to study our crew, like in The Observer Effect or Scientific Method or even Schism. What I’m getting at here is that there’s really very little in this premise which hasn’t been done before or since on Star Trek, and nothing which wouldn’t feel more at home on Star Trek: The Next Generation or Star Trek: Voyager.

While it’s not as bad as The Passenger or Move Along Home, it is terribly generic and it feels like a waste of an episode in an already truncated season.

If wishes were emus...

If wishes were emus…

Continue reading