All the Money in the World is an intriguing and uneven anthropological study of wealth.
Ridley Scott’s drama documenting the abduction of Paul Getty treats its subjects as members of a different species. In an introductory voice-over, the character of Paul Getty explains that the truly rich may as well come from “another planet.” They might look the same, but they are fundamentally different from ordinary people. At one point, John Paul Getty recalls an argument on how a publisher tried to change the title of his book from How to be Rich to How to Get Rich. Getty complains, “Getting rich is easy. Any fool can get rich. Being rich, that’s something else entirely.”
A Plum(mer) Role.
This idea simmers through All the Money in the World, the notion that there is something more than just a bank balance that separates the wealthy from the poor. “Money is never just money,” reflects advisor Fletcher Chase, and All the Money in the World suggests as much repeatedly. Throughout the film, journalists and paparazzi stalk the Getty family like wildlife photographers trying to snap a picture of some rare beast in its natural habitat. The Getty’s stand apart, and that sense of otherness is compounded by some measure beyond a balance in any account.
All the Money in the World is fascinating in its exploration of this idea, but it suffers from a lack of focus and clarity. All the Money in the World feels more like a series of vignettes than a single narrative story, a set of compelling sequences that never add up to a fulfilling whole. There is something intangible missing, as if the figures don’t quite add up. Then again, that flaw seems perfectly suited to the characters at the centre of the narrative.
Oil’s well that ends well.
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Filed under: Non-Review Reviews | Tagged: all the money in the world, christopher plummer, director, film, john paul getty, kevin spacey, money, Movie, non-review review, power, review, ridley scott, wealth | Leave a comment »
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