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Star Trek: The Next Generation – Pen Pals (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Pen Pals is a pretty mediocre episode of Star Trek: The Next Generation, one with a lot more potential than the episode actually delivers upon. Centring around Data’s unilateral decision to violate the Prime Directive and the consequences stemming from that decision, there’s a sense that Pen Pals might have been a lot more incisive in earlier version – a lot more willing to ask tough questions about the rules and regulations that our heroes uphold.

Sadly, Pen Pals instead ends with a massive cop out and an unwillingness to really commit to any big idea or to interrogate any of the show’s core concepts.

Everything burns...

Everything burns…

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Star Trek: The Next Generation (DC) Annual #2 – Thin Ice (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Riker is a character caught between a rock and a hard place. According to the series bible, Riker was imagined as one of the “dual lead characters” for the show and clearly envisioned as an impulsive and brilliant Kirk to Picard’s more rational and stoic Spock. However, it didn’t quite work out that way, for a number of reasons. For one thing, the writing on the early years of Star Trek: The Next Generation tended to be a bit more sterile and bland, so Riker was never really allowed to step too far out of Picard’s shadow.

Instead, we got lots of characters talking about how ambitious Riker was, without seeing it for ourselves. It’s implied that Riker’s career led him to separate from Troi, something Peter David ran with in Imzadi. Everybody is constantly telling everybody else how Riker desperately wants to be a starship commander. And yet, when it come to the actual characterisation of Riker on the show, none of this shines through.

Due to the constraints imposed on the early years, interpersonal conflict was impossible in early Next Generation scripts, putting Riker in a paradoxical position as a character. We’re repeatedly told how ambitious and career-orientated he is, but none of that shines through.

Dead space...

Dead space…

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Star Trek: The Next Generation – The Icarus Factor (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Icarus Factor is a character-driven story. At least, it wants to be a character-driven story. The problem is that Star Trek: The Next Generation hasn’t reached the point where it can really do character-driven storytelling with a measure of consistence. (The fact that Picard confronting his future failures in Time Squared worked was more down to Patrick Stewart than the episode’s script.)

The Icarus Factor is a story focusing on Riker as a character, and it suffers from the fact that Riker hasn’t really been well-defined to date. We’re repeatedly told that he’s ambitious and career-driven, but most his on-screen characterisation has fluctuated between reckless, jerkish and horny. So The Icarus Factor tries to compensate by giving Riker the most generic back story possible for a lead male character on a television show.

This is the story of Riker’s daddy issues.

Somehow, this image just sums up Riker as a character...

Somehow, this image just sums up Riker as a character…

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Star Trek: The Lost Era – Deny Thy Father by Jeff Mariotte (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

In theory, you can probably tell a good story about just about anything. There’s a knack to constructing a narrative and in making particular characters fascinating or compelling. In the right hands, even the most tired and boring premise can generate some measure of excitement and over a glimpse of depth that we never thought was there. For example, I didn’t come out of Star Trek: Generations thinking that I’d ever read a classic story about John Harriman, and then I read the superb Serpents Among the Ruins.

However, some ideas strike you as a little less exciting than others. Some concepts seem a bit riskier to pull off, a bit more daunting in scope. Constructing a compelling narrative around the youth of Commander William T. Riker, probably one of the blandest members of the Star Trek: The Next Generation ensemble, seems like an uphill struggle.

Unfortunately, Jeff Mariote’s Deny Thy Father isn’t up to the task of making the boring father-son relationship glimpsed in The Icarus Factor seem any more exciting.

tng-denythyfather

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Star Trek: The Next Generation – Time Squared (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Time Squared is an intriguing little episode, if not entirely satisfying. Like The Royale before it, it features the Enterprise stumbling across a phenomenon that it can’t explain. Also like The Royale, the episode presents an existential horror to the crew. Time Squared is significantly stronger as a character piece, forcing Picard to confront a potential future version of himself that he can’t reconcile with his own expectations and self-image. Unfortunately, the open-ended mystery of the episode lacks the bizarre charm of the unresolved questions dangling at the end of The Royale.

"I never noticed before, but the Captain has pretty spectacular bone structure..."

“I never noticed before, but the Captain has pretty spectacular bone structure…”

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Star Trek: The Next Generation – The Royale (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

“None of it makes any sense, sir,” Riker succinctly states before the credits role on The Royale. The Royale is a decidedly nonsensical episode of Star Trek: The Next Generation, where an away team find themselves trapped inside an atrocious casino melodrama and have to figure out how to return to the ship. The episode is packed with interesting visuals and a bizarre situations, but it never quite comes together in the end.

And, yet, despite the obvious problems, The Royale is intriguing. Visually, it’s one of the most striking and memorable episodes of the show’s first two season. The rotating door to nowhere is a beautifully strange image, and the sight of the Enterprise away team wandering around a twentieth century casino is enough to prevent the episode from ever becoming boring. The Royale isn’t the best constructed episode of the show’s first two years, and it has more than its fair share of problems.

However, it’s also a wonderfully bizarre and adventurous piece of science-fiction, as if Riker has beamed into a cheap imitation of The Twilight Zone. That’s enough to make it well worth a watch.

The whole plot revolves around absurdities...

The whole plot revolves around absurdities…

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Star Trek: The Next Generation – The Sky’s The Limit: Meet with Triumph and Disaster & Trust Yourself When All Men Doubt You by Michael Schuster & Steve Mollmann (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Encounter at Farpoint.

The Sky’s the Limit was an anthology released to celebrate the twentieth anniversary of Star Trek: The Next Generation in 2007. It was a bit of a no brainer, edited by the wonderful Marco Palmieri in the style of anthologies like The Lives of Dax or Prophecy and Change. The goal was to draw together a bunch of talented writers to fashion stories involving the crew and the ship at various stages in the life cycle of the Enterprise. There is a short story for every season of the show, save the fourth, and between each of the movies.

tng-theskysthelimit

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Star Trek: The Next Generation – Contagion (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Contagion is a nice reminder that the average quality of Star Trek: The Next Generation is improving. While the stand-out episodes of the second season of The Next Generation tend to attract a lot of attention, the more solid episodes tend to get a bit lost in the discussion. Contagion doesn’t rank alongside Elementary, Dear Data, A Matter of Honour, The Measure of a Man or Q Who?, but it’s still demonstrating that we’ve reached a point where the show can churn out a pretty good episode without it feeling like a special occasion.

It’s a bit of a shame, then, that Contagion comes from two individuals outside the show’s writers’ room.

The Yamato rests in pieces...

The Yamato rests in pieces…

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Star Trek: The Next Generation – Masks by John Vornholt (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Generally, I’ve been looking at novels and tie-ins that are specifically or thematically related to specific episodes of Star Trek: The Next Generation. It’s a valid approach to writing about the show, searching out material that expands or develops themes and concepts and characters lightly touched upon during the episode in question. However, some times it is also worth taking time out to look at what was happening in tie-in fiction at approximately the same time.

Obviously, the scripts written by writers working on the show were the result of a careful creative process drawing input from the writers in general, the producers and the studio. They were crafted with a key eye to shaping the future direction of the show, by the people working on the show. Looking at official tie-in material from the same time allows us to venture a bit outside that circle, and to get a glimpse of what The Next Generation might have looked like to a creator outside the writers’ room as it was going to air.

Masks was published in July 1989, after Shades of Grey had aired and the second season had limped off the screen. While author John Vornholt obviously could not have seen the whole season on submitting his novel, it is interesting to get his view of the sci-fi spin-off in its sophomore season.

tng-masks

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Star Trek: The Next Generation – The Dauphin (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Dauphin ends what looked like the beginning of a winning streak for the second season of Star Trek: The Next Generation. Both A Matter of Honour and The Measure of a Man represented a significant shift in gear for the show – a demonstration of just what The Next Generation was capable of at the top of its game. The Dauphin, in contrast, is a decidedly generic little episode.

It doesn’t help that it’s a character episode devoted to Wesley Crusher as a teenage protagonist on the Enterprise. Wesley was always a character who posed a bit of a problem for the show. There were times when bad writing and Wheaton’s less-than-nuanced performance saw the character threatening to turn The Next Generation into a plucky teenage science-fiction adventure series. Watch the boy genius save the ship while the trained professionals around him are useless!

While A Matter of Honour teased a way of making Wesley work in the context of the show, The Dauphin falls back into familiar traps. It’s a poorly-written teenage romance with some awful dialogue and two rather wooden leads, using familiar Star Trek trappings.

A rocky relationship?

A rocky relationship?

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