• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Watch! Dark Zero Thirty Trailer!

So far, Dark Zero Thirty has been a bit of an unknown quantity in the end-of-year Oscar race. Following the team responsible for assassinating Osama Bin Laden, Kathryn Bigalow’s movie has to be on the short-list for awards contention. It received a fairly radical change of course yesterday, meaning that it might not open in the States as early as expected. Instead, it looks like it might be pushed back to January for a wide release, following a more traditional Oscar pattern. It’s a roll-out strategy that was worked quite well for contenders in other years.

Reportedly, the film’s release had been considered for the November elections, but it may now open wide in the States only slightly early than it opens here. (The notion of being used as a political volleyball in various election-related op-eds was probably less-than-appealing to the film.) It releases in Ireland on 25th January 2013, and we have the new trailer below. Bigalow has assembeld one hell of an ensemble, with some fantastic actors putting in appearances. I am very much looking forward to this one. Enjoy.

Non-Review Review: The Mummy (1932)

The Mummy is often unfairly dismissed as an inferior attempt to emulate the success of Dracula. It’s from the same writer, John L. Balderston, and the credits are even set to the same music – the powerful Swan Lake theme that opened that other iconic horror. I’d argue that the influence of Frankenstein can also be keenly felt on the picture, and not just in its leading actor. However, I think The Mummy is often unfairly overlooked when examining the Universal Monster Movies, playing more like a creepy existential romantic epic than a conventional creature feature horror film.

He needs his beauty sleep…

Continue reading →

A View to a Bond Baddie: Le Chiffre

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

A new era of Bond deserved a new type of villain. Or, at least, a renewed look at the oldest. Casino Royale had been the first James Bond novel written, but it was only the twenty-first filmed – long past the point where the series had even paid lip-service to Fleming’s novel and short story titles, let alone their plots. Much like the Bond girl Vesper Lynd, Martin Campbell’s Casino Royale radically reimagined the story’s villain, while remaining relatively true to the character’s roots. The result is a rather interesting addition to Bond’s iconic selection of foes, as brought to life by Mads Mikkelsen.

Playing his cards right?

Continue reading →

Watch! Trailer for Gus Van Sant’s Promised Land!

Universal Pictures Ireland just sent over this trailer for the upcoming reunion of Matt Damon and Gus Van Sant, Promised Land. The actor and director famously worked together on the Oscar-winning Good Will Hunting, so it’ll be interesting to see if their latest collaboration can match that Oscar-winning gem. Much like Good Will Hunting, Van Sant has surrounded Damon with a powerhouse cast including veterans like Frances McDormand and Hal Holbrook, younger developing talents like John Krasinski and Scoot McNairy, and even familiar faces like Titus Welliver. It’s certainly worth a look.

Watch! Iron Man 3 Trailer!

Disney have released the first Iron Man 3 trailer. Check it out below and let me know what you think.

Non-Review Review: Frankenstein (1931)

We are about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation – life and death. I think it will thrill you. It may shock you. It might even – horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now’s your chance to – uh, well, we warned you.

James Whale’s Frankenstein tends to be overshadowed by its sequel, The Bride of Frankenstein, as perhaps the definitive take on the mad scientist and his creepy, tragic monster. While the script for Universal’s 1931 Frankenstein is occasionally a bit too loose for its own good, it’s still a stunning piece of classic monster movie cinema. I had the pleasure of watching the recent blu ray release of the film, and it looks just as good now as it ever did.

“It’s aliiiive!”

Continue reading →

Non-Review Review: The Sapphires

The Sapphires is the perfect feel-good movie to take us into Oscar season. The “goldilocks” of feel-good cinema, the movie balances its tone well. It’s never too heavy, but it’s never too light. Dealing with the eponymous Aboriginal girl band and their career in Vietnam during the conflict, it’s often both witty and touching at the same time. This quality is best encapsulated by Chris O’Dowd, playing the group’s slightly dodgy Irish manager, Dave Lovelace. A barely-functioning alcoholic tasked with keeping the tensions in the group under control, O’Dowd manages to make Lovelace simultaneously hilarious and somewhat tragic – a character we truly like, even if we also pity him. It’s a fantastic performance in a very solid film.

Good morning, Vietnam!

Continue reading →

A View to a Bond Baddie: Aristotle “Aris” Kristatos

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

For Your Eyes Only is often overlooked when discussing Roger Moore’s time as the iconic secret agent. Positioned between the camp excesses of Moonraker and the rather disappointing blandness of Octopussy, Moore’s fifth film in the role is arguably the actor’s best. It distinguishes itself from its peers in several ways. Most obviously, it’s a relatively low-key espionage thriller, rather than a spectacular action film. The narrative is driven by mystery and intrigue at least as much as it is by action and adventure. The stakes are relatively grounded when compared to those in Moore’s other films. There’s no planned genocide here, not even the immediate threat of nuclear war. It almost feels like a spiritual companion to the Timothy Dalton films, or the early Sean Connery adventures. And yet, despite the fact its tone feels a little out of character, For Your Eyes Only really feels like it plays to Roger Moore’s strengths. Perhaps the most obvious example of this is the villain, Aristotle “Aris” Kristatos, who serves as the best foil for Roger Moore’s Bond in any of Moore’s seven films.

One to cross(bow) off the list…

Continue reading →

A View to a Bond Baddie: Elektra King

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

Elektra King remains unique among Bond’s selection of big-screen baddies if only because she’ really the only major female villain. Of course, Bond villains have employed henchwomen before. Rosa Klebb was a major menace in From Russia With Love, even if she was answering to a mostly absent Blofeld. Largo employed the sinister Fiona in Thunderball, immune to the charms Bond used to seduce Pussy Galore in Goldfinger. A View to a Kill even gave us a female villain who wasn’t defined by her sexuality, with Mayday defined by her physical strength more than anything else. Still, it seemed like a villainess would never quite break the Bond movie glass ceiling, which makes Elektra such a fascinating character.

Of course, she’s trapped in a pretty terrible film.

It’s good to be the King…

Continue reading →

Non-Review Review: Skyfall

There’s a moment about a third of the way through Skyfall that manages to perfectly encapsulate its opinion of the iconic British spy at the heart of the film. Casually dismissing the villain’s lofty accomplishments, Bond mutters, “Everybody needs a hobby.” The villain takes the jab quite well. “Oh. What’s yours?” Bond retorts, “Resurrection.” Released to celebrate the fiftieth anniversary of the film franchise, Skyfall is a veritable ode to Bond’s endurance – in both a literal and metaphorical sense. After all, not many fifty year olds look as stylish as this.

Sam Mendes, and his talented cast and crew, have managed to get Bond the perfect birthday present.

Working in the shadows…

Continue reading →