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Avengers: Earth’s Mightiest Heroes, Volume 1 (Review)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

It’s fascinating how Marvel managed to effectively reinvent the Avengers franchise over the better part of the last decade, pushing the title to the centre of their publishing line and revitalising it – both through Mark Millar’s alternate-continuity Ultimates and Brian Michael Bendis’ New Avengers. Both were poles apart from the type of books fans associated with the property, favouring sweeping and blockbuster storytelling in the place of the more conventional soap opera antics. As such, Joe Casey’s miniseries, offering a reflection on the first few years of the team, feels like something of a polite acknowledgment of the legacy of the team, and an attempt to celebrate their history together.

Not quite a train wreck…

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S.H.I.E.L.D: Architects of Forever(Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today we’re looking at a miniseries exploring the history of S.H.I.E.L.D., the organisation which has played a big role in the Marvel cinematic universe.

Jonathan Hickman is something of a rising star at Marvel, with his acclaimed work on Secret Warriors, Fantastic Four and Ultimate Comics: Ultimates, along with character-centric miniseries like Ultimate Thor and Ultimate Hawkeye. Much like Jason Aaron, the writer has demonstrated a remarkable ability with both the smaller cult characters in the universe, as well as some of its bigger names – it has been argued that Hickman has been doing fascinating things with characters who had stumbled a bit of late in Marvel’s shared universe, like Nick Fury or the “first family” of the company, the Fantastic Four. Hickman has a wonderful talent to combine old established concepts with clever new ideas to produce an interesting result. S.H.I.E.L.D., documenting the history of Marvel’s premiere espionage organisation, demonstrates this quite well.

At least what I understood of it.

The SHIELD protects us...

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Brian Michael Bendis’ Avengers – New Avengers Vol. 5-6 (Hardcover) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

You know, at this stage I’m wondering what an Avengers book might look that wasn’t plowing from one event (Secret Invasion), through another event (Dark Reign), towards yet another event (Siege). I actually quite enjoyed Bendis’ opening two arcs on New Avengers, before the book effectively became the primary tie-in to whatever big crossover event was happening in the Marvel Universe on a given month. It was Grant Morrison who once wrote that every panel in a comic book should be an event, and I agree – stand-alone series don’t gain any extra validity by tying themselves in to a big crisis crossover. Make the stories themselves compelling and worry about the “event” later.

The evil empire…

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Thor by Walt Simonson Omnibus (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” We’re also taking a look at some of the notable stories featuring individual Avengers.

Read our review of The Avengers here.

Walt Simonson’s run on Thor is one of the truly great Marvel runs of the eighties – along with Frank Miller’s take on Daredevil and John Byrne’s tenure on The Fantastic Four. It’s great to have that entire run – and the Baldar the Brave miniseries – collected in one absolutely giant omnibus, which stands as one of the greatest accomplishments of Marvel’s collected editions department. Did I mention that it has been lavishly recoloured for the occasion? Because it has. And it’s spectacular.

A snake in the grass (and pretty much everywhere else)...

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Kurt Busiek’s (& George Perez’s) Avengers – Avengers Assemble! Vol. 1 (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” And so we begin, one month short of the release date…

It is good to be together again.

– Thor, Once An Avenger…

A lot of life is context. In order to fully appreciate things, you need to know the history and events which drive it. Kurt Busiek’s massive almost-five-year run on The Avengers is well loved by comic book fans, but is quite hard for me to get a read on. The plots are simple, the cast is over-crowded and the dialogue is corny. However, these are perhaps the reasons why the run is held in such high esteem, because the fictional Marvel Universe of 1998 was quite different from how it looks today.

Consider them assembled... all of them...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. V (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

And so we’re here. We’ve reached the end of Garth Ennis’ Punisher MAX run, and one of the last things the author wrote for the character (he’d go on to write the Punisher: WarZone miniseries to tie into the film of the same name). It’s frequently regarded as perhaps the definitive run on the character, one held up as an example of what the Marvel MAX imprint is capable of. So, it’s been a long, sixty-issue journey to this point. And, I have to confess, I wasn’t entirely blown away by the run, or the conclusion to it.

Firing on all cylinders?

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. IV (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

I don’t know. It seems like, at times, I run hot and cold to Garth Ennis’ Punisher MAX run. It’s frequently cited as one of the great runs of modern comics, and there are moments when – if I squint – I can see hints of that masterpiece everybody is taking at. At other times, it seems I’m wandering in the desert, staring at a perfectly functional comic book, trying to figure out what everybody is making such a big fuss about. This penultimate collection of Ennis’ run contains two great examples of this. On one hand, the collection opens with the incredibly pedestrian Man of Stone, while it closes with the smarter-than-it-appears Widowmaker. Neither story is a masterpiece, but the latter has a lot more insight than I’ve come to expect from the series, while the former takes an interesting premise and does nothing with it.

The Punisherette?

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. III (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

I think I’m finally getting the hang of Ennis’ run on Punisher MAX. It seems that it’s pretty much positioned between two extremes: bleak nihilistic cynicism and depressing absurdist black comedy. I don’t think that any collection of Ennis’ work illustrates these two extremes quite as well as this one, collecting both The Slavers and Barracuda – the former undoubtedly Ennis’ darkest work on the title and the former probably the most ridiculously cynical comedy the writer has drafted for the character (at least on the MAXline). It certainly makes for one weird cocktail.

Frankly my dear...

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Marvel Knights: Punisher by Garth Ennis Omnibus

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

Solo act again. No Micro. No gimmicks: no fancy ammo, no battle-vans, no high-tech surveillance. Just the basics. Been gone a while. Distracted. The scum in this city need a wake-up call. And here it comes.

– Frank Castle gives us a mission statement

Looking back, it’s hard to imagine how big a mess the Punisher was in before Garth Ennis got his hands on the character. The fascination with “darker and edgier” in the nineties had given the character a huge boost, but it was quickly wasted. From a character who had supported multiple books during the “boom” years, he was reduced to one core title with a radical new direction. Imagining the Punisher as some sort of avenging angel figure hadn’t worked out, so it seemed like that character was truly struggling to keep his head above water. Then Garth Ennis arrived, writing a twelve-part maxi-series that would be the first step in a long and fruitful relationship with the character. He didn’t try to radically revamp the character, opting for a back-to-basics approach with a healthy dash of black humour, realising that there was something inherently absurdist about a gun-carrying psychopathic killing machine with a skull on his chest, sharing a universe with angels and demons and superheroes.

Welcome back, Frank...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. II (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There’s a dream I have from time to time. And in the dream I don’t stop. I kill the soldiers and the hitmen, the extortioners and racketeers, the dark old &%^@s who send them out to fight– I hold the trigger down until they’re all gone–

But I don’t stop.

The innocents are just watching, like always. The slack jawed thousands, gazing at the beast. My family lie red and shredded in the grass. I face the crowd and bring the weapon to my shoulder. If my world ends, I tell them, so does yours.

The recoil starts and I wake up.

It’s  just a dream, I always tell myself. It’s just a dream.

It’s just a dream.

– Frank Castle, Up is Down and Black is White

You know, I’m not entirely sold on the format of Garth Ennis’ Punisher MAX. It seems a strange thing to say, given how I’m slowly starting to appreciate what the writer is doing with the character, but I’m not convinced that the rigid six-issue structure that Ennis is adopting fits the character particularly well. Don’t worry, I know it’s a very strange and irrational complaint to have – partially because there’s so much else going on that merits discussion, and also because six-issue arcs have become the industry norm (because they fit the size of a trade paperback). That said, I think may have figured out why it bothers me so.

Gun play...

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