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Rick Remender’s Run on Secret Avengers – Avengers vs. X-Men (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

Secret Avengers manages one of the strongest tie-ins to Avengers vs. X-Men. I will confess that I am not normally a fan of comic book event tie-ins. They tend to distract from on-going narratives crafted by long-term writers in order to assure a cynical short-term sales boost. At worst, they can feel like vacuous filler, comics full of nonsense that are impossible to decipher unless you’re reading the giant crossover of the month. Both Ed Brubaker’s Captain America and Matt Fraction’s Invincible Iron Man lost a lot of momentum thanks to crossovers.

On the other hand, I’ll concede that good writers can shrewdly use crossovers to tell their own stories. Perhaps the most obvious example is Alan Moore’s wonderful Swamp Thing tie-in to Crisis on Infinite Earths – stories that can be read (and be quite entertaining) on their own terms, without requiring the reader to constantly flick back or forth. Kieron Gillen’s Uncanny X-Men tie-in to Avengers vs. X-Men manages to retain its own identity and tell its own story, and Rick Remender’s Secret Avengers makes a valiant attempt.

Into the fire...

Into the fire…

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Daredevil: End of Days (Review)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

The Dark Knight Returns casts a pretty long shadow. In many ways, the definitive work from writer and artist Frank Miller, and – along with Watchmen – one of the books that singularly defined mainstream comics. Written by a superstar team of former Daredevil writers and artists – and a slew of in-jokes and references to a rake of others – End of Days can’t help but stand in that shadow.

The Dark Knight Returns gave us a look at a retired Bruce Wayne donning the cape and cowl once again. End of Days has a similar set-up, beginning immediately following the murder of Daredevil by his arch-foe Bullseye, and allowing us to watch the investigation conducted by dogged reporter Ben Ulrich.

This is the end...

This is the end…

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J. Michael Straczynski’s Run on The Fantastic Four – Civil War (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

J. Michael Stracynski’s Fantastic Four tie-in to Civil War is a strange beast, in that it seems to exist more as a collection of talking points and plot beats than as compelling narrative in its own right. Using the safe camouflage of a tie-in to a massive line-wide event, Straczynski is not only able to sneakily set-up his pending Thor run, but also to vent quite liberally about his own feelings on post-9/11 America. The result is a story which feels disjointed and far too talky, a simplistic and familiar opinion piece dressed up as a Fantastic Four story.

Yes. Yes there is...

Yes. Yes there is…

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Stan Lee, Jack Kirby & Don Heck’s Avengers – Avengers Omnibus, Vol. 1 (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

It’s always fascinating to go back and read the original sixties Marvel comic books, to get a sense of just how influential or informative they were on the generations of writers and artists who followed. While it’s not quite as spectacular a mess as The Incredible Hulk or The X-Men, I’ll admit that I never entirely warmed to the classic version of The Avengers. I like select stories – Roy Thomas’ Kree-Skrull War, Starlin’s Infinity trilogy – but, as a whole, these classic Avengers comics never really grabbed me.

Don’t get me wrong. These are massively iconic and influential books, and they’re well constructed, laying down a blueprint for decades of adventures to follow. There’s a sense of wry self-awareness here, and there’s no denying that these are vitally important classic superhero comics books. However, I could just never bring myself to love them.

Holding it all together...

Holding it all together…

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Ultimate Comics: Hawkeye (Review)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

Ultimate Comics: Hawkeye is pretty much a companion piece to Jonathan Hickman’s Ultimate Comics: Ultimates run. Unlike other miniseries like Ultimate Comics: Thor or Ultimate Comics: Captain America, Hawkeye isn’t designed to be read on its own. It is clearly intended as a story to be read in parallel with Hickman’s on-going Ultimates narrative, unfolding at the same time alongside that particular story. As such, it’s a weird miniseries to read on its own terms, doing a rather excellent job of fleshing out the global scale of Hickman’s Ultimates work, but never really working on its own terms.

Broken arrow...

Broken arrow…

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Jonathan Hickman’s Run on Ultimate Comics: Ultimates (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

There’s something to be said for keeping Marvel’s Ultimate Universe as a “do anything you want” sandbox for up-and-coming creators, a chance for writers and artists to demonstrate their ability to tell comic book stories without worrying too much about the status quo or putting everything back in something resembling the way they found it. After all, the Ultimate Universe provided a fertile starting point for creators like Mark Millar, Brian Michael Bendis and Brian K. Vaughn to demonstrate they could tell big bombastic superhero stories, with Millar and Bendis going on to radically shape  the mainstream Marvel continuity.

As such, Jonathan Hickman’s run on the awkwardly-titled Ultimate Comics: Ultimates feels like an audition. It’s very clearly a weird alternate-universe take on many of the ideas that he would carry over to his run on Avengers and New Avengers when he succeeded creator Brian Michael Bendis. Hickman’s Ultimates is bristling with big ideas, and an exciting willingness to tear down and build up without any hesitation. The only real problem is that it feels like a story sorely missing an ending.

Thor smash!

Thor smash!

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Grant Morrison & Ian Gibson’s Avengers – Steed & Mrs. Peel (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

I feel a little bit cheeky describing this as “Grant Morrison’s Avengers.” After all, it’s this sort of confusion that led Disney to somewhat clumsily try to rebrand last year’s Avengers as Marvel’s Avengers Assemble in Ireland and the UK, afraid that easily-confused cinema-goers might be confused by the absence of the character my better half describes as “umbrella man”, while those more emersed in classic Britannia will recognise him as John Steed.

In fact, the comic was actually branded as Steed and Ms. Peel to avoid confusion, both in the original 1990 Eclipse miniseries and in the recent BOOM! studios reissue. That said, while legal matters prevent the release of a comic called “The Avengers”, BOOM! have hardly been shy about the original television show, with advertisements for Mark Waid’s recent revival teasing “the original Avengers” and “the original Hell Fire Club.” (Which is a little misleading itself, since the Hell Fire Club is actually a much older (real life) institution. Ah well.)

Still, Morrison and Gibson’s Steed & Mrs. Peel is a delightfully fun romp very much in the style of the original show. It is, by no means, the smartest or most essential of Morrison’s work – but it’s still clever and betrays an obvious affection for the source material.

Wheel of misfortune...

Wheel of misfortune…

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Star Trek (DC Comics, 1989) Annual #2 – Starfleet Academy!

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

Multimedia franchises tend to have very strange lives. These iconic pop culture characters rarely seem to ride off into the sunset in any real way. Their story might end, but there’s always a new beginning just waiting for them. When veteran Star Trek writer Ronald D. Moore took charge of the reboot of Battlestar Galactica, he even wove the idea into the fabric of the show. “All of this has happened before and will happen again,” the characters repeated.

It’s been a Hollywood fad for the last decade, with high-budget reboots like Batman Begins and The Amazing Spider-Man suggesting that icons never die, they just get reinvented. However, it has always been a feature of the pop culture landscape. Think of how many adaptations of Batman have run their course, or how many times in how many different media Sherlock Holmes has played out his game of wits. Life for these iconic properties is something of a spinning wheel. It seems that no sooner are you off one side than you are back on the other.

So, with the release of Star Trek: The Undiscovered Country in 1991, it seemed the ideal time for Star Trek author Peter David to venture back to the very beginning, and to explore Kirk’s time at Starfleet Academy!

"By the way, I like David as a name..."

“By the way, I like David as a name…”

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Star Trek (DC Comics, 1984) Annual #1 – All Those Years Ago…

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

It’s weird to think that the original cast of Star Trek didn’t get a proper on-screen origin story until JJ Abrams rebooted the franchise in 2009. The show produced two pilots – The Cage and Where No Man Has Gone Before – and even the pilot episode that wound up airing was broadcast as the third episode of the first season. Given the realities of sixties television, it’s probably not too surprising. Rather famously, Gilligan’s Island scrapped its origin story pilot, reworking some of the footage (along with re-shot footage) into a later episode – deciding to skip the story of how everybody got here and just get to the meat of the story.

And you can understand why this approach worked with the original Star Trek. Structurally, the series was a product of its time, largely episodic. Sure, there were recurring alien races and even a few recurring guest stars outside the senior staff, but there was a sense you could jumble the viewing order of most of the episodes up and not notice anything strange.

At the same time, the lack of an origin leaves a vacuum. After all, each of the four following spin-offs opened with a two-hour special about putting the crew together to take their place on the final frontier. In hindsight, having had years to grow old with these characters and watch their friendships (and personalities) deepen and broaden, it occurs to us that we never really say them come together for the first time.

All Those Years Ago... isn’t nearly as elaborate or as sophisticated as Vonda M. McIntyre’s Enterprise: The First Adventure, but it does hint at a growing curiosity about how the team came to work together.

Second star on the right...

Second star on the right…

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Star Trek Special #2 (DC Comics, 1994) – A Question of Loyalty (Review)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

We’ll be supplementing our coverage of the movies with tie-ins around (and related to) the films. We’ll be doing one of these every week day. This is one such article.

A Question of Loyalty is essentially a Star Trek character study, comparing and contrasting the two young Vulcan female characters to appear in the film franchise, providing a meeting between Valeris and Saavik, Spock’s two young protegés. The production history of Star Trek VI: The Undiscovered Country is interesting, as there were early plans to include Saavik. For a variety of reasons, this didn’t work out and director Nicholas Meyer and his writers decided to cast a new role, Valeris. A Question of Loyalty allows the two characters to come face-to-face, and offers both some character motivation for the under-developed Valeris and a fond farewell for Saavik.

Her ears are tingling...

Her ears are tingling…

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