I published a new In the Frame piece at The Escapist on Friday evening. With the release of M.O.D.O.K. on Hulu, it seemed like a good opportunity to take a look at this unusual addition to the Marvel television canon.
M.O.D.O.K. is not a perfect show, but it is a breath of fresh air. In particular, it arrives in a cultural landscape that is becoming increasingly homogeneous and consolidated, existing as one of the last projects produced by Marvel Television before it was swallowed by Marvel Studios. As such, it is a Marvel adaptation with a distinct aesthetic. More than that, it is a comic book adaptation that is completely and utterly unashamed of its comic book roots. It is a show that revels in the inherent absurdity of comic books in a way that puts many higher profile adaptations to shame.
You can read the piece here, or click the picture below.
Filed under: Television | Tagged: adaptations, comic books, continuity, in the frame, m.o.d.o.k, Marvel Studios, mcu, modok, Patton Oswalt, the escapist |
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