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New Podcast! The Pat Kenny Show, 2nd September 2019

Earlier in the week, I had the pleasure of stopping by The Pat Kenny Show on NewsTalk to discuss the recent spate of remakes of classic films.

It was a pleasure to sit down with Pat and Charlene Lydon to discuss the recent trend, obviously attracting a lot of attention given the success of The Lion King and Aladdin.

 

Non-Review Review: Ready or Not

“It’s true what they say,” remarks Daniel Le Domas at one point in Ready or Not. “The rich really are different.”

The basic plot of Ready or Not should be familiar. A young woman finds herself welcomed into a wealthy family with an eccentric tradition. After each wedding, the new member of the family is invited to compete against the family in a game. That game can be anything, from tic-tac-toe to checkers. (“I will play the f&!k out of checkers,” Grace playfully boasts when the tradition is revealed.) However, when Grace draws the “hide and seek” card, things quickly take a turn for the macabre. Unlike other games, “hide and seek” is deathly serious. The family plan to hunt Grace down and offer her up as a ritual sacrifice.

What’s on the cards for this evening?

Although Ready or Not brings its own unique perspective to the template, the film is consciously riffing on the classic Most Dangerous Game set-up. Armed with bows-and-arrows, antique firearms and crossbows, the Le Domas family stalk their prey through their decadent mansion as the stakes gradually become clear to Grace. Ready or Not filters this premise through the lens of class and wealth, focusing on economic divide between Grace and her husband’s family. “She’ll never be one of us,” complains Charity Le Domas during the wedding, to her husband Daniel. Daniel responds, “Of course not. She has a soul.”

Ready or Not is pulpy and visceral fun, an engaging and exciting horror-comedy that skillfully blends the two genres in a way that plays to each’s strength. Ready or Not shrewdly positions itself as both a side-splitter and a skull-splitter.

The family that prays together, stays together.

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New Podcast! The Time is Now – Season 1, Episode 19 (“Powers, Principalities, Thrones and Dominions”)

Wrapping up a late-first-season exploration of Millennium with the incomparable Christopher Knowles, I was thrilled to pop onto The Time is Now to discuss Powers, Principalities, Thrones and Dominions.

In case the title doesn’t give the game away, Powers, Principalities, Thrones and Dominions is a delightfully weird episode of television. It finds Frank Black confronting the loss of his best friend Bob Bletcher by becoming embroiled in an epic and existential conflict that exists at the very limits of his understanding. It might involve a ritualistic killer and a corrupt lawyer, but it may also involve renegade angels and the forces of hell operating on the mortal plane. The beauty of Powers, Principalities, Thrones and Dominions lies in the ambiguity.

Indeed, that ambiguity was a huge part of the fun in discussing the episode with Chris. I think we both had slightly different reads on what the episode was about and where it was coming from, which speaks to its strength as an episode of television. It’s a staggering piece of work, one that obviously lays the groundwork for Patient X and The Red and the Black in the fifth season of The X-Files.

As ever, you can listen to the episode here, subscribe to the podcast here, or click the link below.

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New Podcast! Not Another X-Files Podcast Podcast #717 – “all things”

Last year, I stopped by Not Another X-Files Podcast Podcast to discuss Vince Gilligan and Rob Bowman’s all-time classic, Drive. So I was thrilled to be invited to join Carolyn and Vanessa to discuss all things.

Positioned towards the tail end of the awkward seventh season of The X-Files, all things is an interesting beast. It is written and directed by series star Gillian Anderson. Unlike Duchovny, Anderson had never really expressed an interest in writing and directing beforehand and hasn’t really embraced that career subsequently. As such, all things is a very strange piece of television, primarily a way for Anderson to explore themes and ideas that were clearly of interest to her.

I’ve always had an awkward relationship with all things. It is not, on its own terms, an especially strong episode. However, it has a strong central vision and an interesting approach to its material, produced with an energy that is largely lacking from the season around it. It’s an oddity in many ways. It is not entirely successful, but it is interesting. It was great to get a chance to hammer it out with Carolyn and Vanessa.

You can check out the podcast here, and past episodes here. Or click the link below.

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