• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

J. Michael Straczynski’s Run on The Fantastic Four – Civil War (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

J. Michael Stracynski’s Fantastic Four tie-in to Civil War is a strange beast, in that it seems to exist more as a collection of talking points and plot beats than as compelling narrative in its own right. Using the safe camouflage of a tie-in to a massive line-wide event, Straczynski is not only able to sneakily set-up his pending Thor run, but also to vent quite liberally about his own feelings on post-9/11 America. The result is a story which feels disjointed and far too talky, a simplistic and familiar opinion piece dressed up as a Fantastic Four story.

Yes. Yes there is...

Yes. Yes there is…

Continue reading

Non-Review Review: The Call

The Call is one-half knock-off of the underseen and underrated Cellular, a delightfully pulpy high-concept thriller which perhaps felt a little bit too similar to Phone Booth. The Call is also one-half knock-off of Silence of the Lambs, with the second half of the film in particular feeling like one of those psycho killer thrillers that were oh-so-popular in the mid- to late-nineties, but which became less popular in the post-CSI era. The Call has a delightfully ropey central premise, a high-concept for the mobile age, straining all manner of credibility and suspension of disbelief.

However, the problem lies in the execution. The Call wallows in heightened melodrama, struggling to sustain its central premise by trying to make us “feel” for the central characters in the most coy and manipulative of manners. Director Brad Anderson’s intrusive style doesn’t help matters too, seemingly unsure whether he’s making an action movie, a psychological horror or a high-concept thriller, and so instead tries to mash the three genres together with limited success.

Holding the line...

Holding the line…

Continue reading

Star Trek: Deep Space Nine – The Nagus (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

The Nagus starts what turns out to be an annual tradition for Star Trek: Deep Space Nine. It introduces the concept of a “Ferengi” episode, where once (or twice) a year, the show would take time out from other on-going concerns to focus on the state of affairs in the Ferengi Alliance. In a way, it’s quite like what Star Trek: The Next Generation did for the Klingons, taking an episode every once in a while to delve into the alien culture and offer a bit of exploration of a species originally created as a two-dimensional cardboard stand-in for a philosophy the franchise found unappealing.

Starting with Heart of Glory, The Next Generation developed Klingons from “those bad guys with the ridges” into a fully functioning and multi-faceted culture, largely driven by writer Ronald D. Moore from the third season. Deep Space Nine did largely the same thing with the Ferengi, largely spearheaded by producer Ira Steven Behr. Although, given the fact that the episodes concerned amoral capitalists instead of imposing warriors, Deep Space Nine opted for comedy as the genre of choice when developing the Ferengi.

He's got the lobes for business...

He’s got the lobes for business…

Continue reading

Non-Review Review: Diana

Diana is a rare beast. You have to try very hard to make a biography film that is so perfectly and so calculatedly terrible. Diana isn’t the product of people who don’t care, it’s the product of people who care too much about the cynical market of prestige biography films. As such, with focus-group precision targeting, the film hits what might be the most bitter of sweet spots. It is both toothless and incredibly cynical; manipulative and shallow; vacuous and crammed with unnecessary and irritating detail.

Most damning of all is the way that the film seems perfectly calibrated to fit the public image of the People’s Princess, never bold enough to challenge or explore her work, her life or her legacy. Given how raw the public’s nerves are, even sixteen years after her tragic death, it might have been expecting too much to hope for a provocative or compelling exploration of one of the most iconic figures of the past three decades. However, we might have hoped it would at least be interesting.

It's a minefield...

It’s a minefield…

Continue reading

Star Trek: Deep Space Nine – Move Along Home (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit what is commonly agreed to be the nadir of Star Trek: Deep Space Nine‘s rocky first season. Even the production staff seemed to acknowledge the problems with Move Along Home. Director David Carson conceded that it was “disappointing”, while future writer Ronald D. Moore could help  “wondering if everyone had lost their minds.” And there’s no way of getting around it. Move Along Home is a stinker in virtually every way that counts. It’s messy, contrived, confused, but without the wit to pull off the surreality of the set-up. There are no stakes, and the only way the episode can generate suspense is by lying to the audience.

And yet, despite that, I am actually much fonder of Move Along Home than I am of The Passenger. Don’t get me wrong, I don’t like either very much, but I’m more forgiving of the problems with Move Along Home, which stem from the episode’s ambition. There’s a sense that at least the episode was trying to do something a bit novel, even it backfired spectacularly. If I have to choose between flawed ambition and bland mediocrity, I’ll choose flawed ambition every time. Move Along Home might be a pretty dodgy episode, but at least its less generic than The Passenger.

A piece of the action...

A piece of the action…

Continue reading

Stan Lee, Jack Kirby & Don Heck’s Avengers – Avengers Omnibus, Vol. 1 (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

It’s always fascinating to go back and read the original sixties Marvel comic books, to get a sense of just how influential or informative they were on the generations of writers and artists who followed. While it’s not quite as spectacular a mess as The Incredible Hulk or The X-Men, I’ll admit that I never entirely warmed to the classic version of The Avengers. I like select stories – Roy Thomas’ Kree-Skrull War, Starlin’s Infinity trilogy – but, as a whole, these classic Avengers comics never really grabbed me.

Don’t get me wrong. These are massively iconic and influential books, and they’re well constructed, laying down a blueprint for decades of adventures to follow. There’s a sense of wry self-awareness here, and there’s no denying that these are vitally important classic superhero comics books. However, I could just never bring myself to love them.

Holding it all together...

Holding it all together…

Continue reading

Star Trek: Deep Space Nine – The Passenger (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit what amounts to the rock bottom of Star Trek: Deep Space Nine‘s first season. The Passenger and Move Along Home exist as the two weakest stories in this first season, and the point from which Deep Space Nine begins to map a path towards recovery, climaxing in the best final two episodes of any first season in the history of Star Trek. We’re a long way from that, and we seem furthest from it here.

While Move Along Home is a legitimately bad episode, one with flaws that probably should have been spotted in any of the episode’s troubled development history, The Passenger suffers because it is the most bland and generic of the first season Deep Space Nine episodes. It accomplishes nothing, but it feels worse because its ambitions were so low. It’s the kind of story that could easily have been told on any Star Trek show, or any science-fiction series, but with no sense of local colour to give it distinctive flavour.

The Passenger is just as bland as the title makes it sound.

The not-so-good Doctor...

The not-so-good Doctor…

Continue reading

Star Trek: Deep Space Nine – Dax (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Dax is a very weird episode. It is the first episode centred around Jadzia Dax, but it also demonstrates the problems that will affect Dax-centric episodes throughout Terry Farrell’s time on the show. Due to the nature of the character, the stories about Dax tend to treat her as a plot point or a macguffin rather than a character in and of herself. Here, for example, Dax finds herself on trial for the actions of her direct predecessor, Curzon Dax. It’s a fascinating moral and philosophical dilemma (can you hold somebody accountable for their actions in a past life?), but it’s a story about Dax that isn’t about the character as she currently exists. It’s fascinating and frustrating in equal measure, but at least it’s a sign that Star Trek: Deep Space Nine is content to do more than merely imitate Star Trek: The Next Generation.

Touching...

Touching…

Continue reading

Star Trek: Deep Space Nine – Q-Less (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And the first season of Deep Space Nine continues its trend towards mediocrity. I feel I should qualify that. The first season of Deep Space Nine is never truly terrible. Even the (very) dodgy Move Along Home is superior to any number of episodes from the first season of Star Trek: The Next Generation, like Code of Honour or Angel One. The first season of Deep Space Nine just winds up feeling like it’s treading water, as if it is trying too hard to emulate The Next Generation, instead of exploring the unique storytelling opportunities offered by the show’s setting.

Q-Less is arguably the most obvious example of these attempts at imitation. While episodes like Babel and The Passenger could have been reworked as episodes of The Next Generation with a minimum of fuss, Q-Less rather cynically takes two recurring guest stars from The Next Generation and allows them to steal focus from an ensemble that is still finding its feet. It feels not only a little ill-judged, but also a bit rude.

Guess Q...

Guess Q…

Continue reading

Star Trek: Deep Space Nine – Captive Pursuit (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Much like Babel, it’s not too difficult to reimagine Captive Pursuit as an episode of Star Trek: The Next Generation. It’s notable for being one of the few episodes of Deep Space Nine to really feature the famous “Prime Directive”, something of a staple of the original Star Trek, The Next Generation and even Voyager. Like a lot of episodes from the middle of Deep Space Nine‘s first season, this seems almost like an attempt to port on episode concept directly over from The Next Generation. In particular, the notion of the crew dealing with a fugitive while wrestling with the Prime Directive feels like a retread of The Hunted.

That said, Captive Pursuit does work quite well, taking a familiar concept and putting a twist on it unique to the show. Despite the fact the episode’s premise feels like it has been carried over, the execution is careful enough to distinguish Deep Space Nine from its older sibling.

The hunted...

The hunted…

Continue reading