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The X-Files (Topps) #18-19 – Night Lights (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

With Night Lights, incoming X-Files writer John Rozum teams up with veteran X-Files artist Charles Adlard. While Stefan Petrucha’s involvement in the line was pretty much finished, pending the release of Afterflight, Adlard would work as part of the book’s rotating art team for a while longer.

Thin Air made it quite clear that Rozum was going to be writing a more traditional X-Files comic book than his predecessor. Stefan Petrucha seemed happy to stretch the series as far as possible, to tease out big ideas about The X-Files and to play with the show’s sacred cows. The result was always intriguing, even if it sometimes went a little beyond what readers would have expected from a comic book based on The X-Files.

We will be gods, on night lights...

We will be gods, on night lights…

Rozum’s stories tend to be a bit more straightforward. They are very much conventional X-Files stories. They hue closer to the standard formula, and feature a whole host of expected ingredients. Thin Air was a very conventional and fairly rote X-Files story, particularly following on from stories like Falling or Home of the Brave. Rozum appeared to have some teething troubles, particularly when it came to pacing and characterisation.

While Night Lights feels a little too jumbled and confused to really work, it does seem a lot more confident and assured. The comic has a host of good ideas, and moves considerably smoother than Thin Air did. In fact, there is a rather brilliant idea nestled at the heart of the story. Rozum just buries it a little too well.

Keep watching the skies...

Keep watching the skies…

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