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Star Trek – The Mark of Gideon (Review)

This July and August, we’re celebrating the release of Star Trek Beyond by taking a look back at the third season of the original Star Trek. Check back every Monday, Wednesday and Friday for the latest update.

The Mark of Gideon is in many ways a direct counterpoint to Whom Gods Destroy.

Both The Mark of Gideon and Whom Gods Destroy have what might charitably be described as “major logic problems.” Both episodes were produced on a tiny budget, with those constraints bleeding through into almost every frame of the finished production. Both stories engage with the idea of utopianism as an essential ingredient in Star Trek storytelling. Both episodes are very much third season episodes, in terms of production and construction and storytelling.

Viewing screen on.

Viewing screen on.

However, Whom Gods Destroy manages to turn all of these elements into an ambitious mess. Although far from the strongest episode of the season, or even a half-decent episode of television, there is an endearing charm to Whom Gods Destroy that carries the episode far further than it should. In contrast, The Mark of Gideon is dead at arrival. It is an episode with a striking premise and set-up that has no idea where to go from that starting point and so meanders limply and lifelessly through forty-five minutes of television.

It also offers a pretty reprehensible vision of the franchise’s utopia.

This is an accurate representation of the third season's viewing figures.

This is an accurate representation of the third season’s viewing figures.

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