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The X-Files (Topps) #22 – The Kanashibari (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

The Kanashibari confirms what readers should expect from Topps’ licensed comics based on The X-Files. It is another atmospheric and episodic horror story, tightly plotted and written, with a grim sense of moral certainty underpinning it. The Kanashibari feels like something of a throwback, a modern-day take on those classic E.C. Comics horror stories – morality tales where the vengeance is exacted against those who have committed an injustice.

It is a throwback in other ways as well. The Kanashibari and Donor are both old-fashioned “supernatural revenge stories”, the kind of stories that would sit comfortably in the first season of The X-Files. Episodes like Shadows, Lazarus, Young at Heart, Born Again and Roland were all stories about characters seemingly returning from beyond the grave to wreak a terrible revenge against those had wronged them.

Who ya gonna call?

Who ya gonna call?

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