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Doctor Who: The Eaters of Light (Review)

“I think we’ve lost her, Doctor.”

“No. No, no, no, no. We just don’t know where she is. Not the same thing at all.”

Caesar the day.

The Eaters of Light is notable as the first episode of the revival Doctor Who to be written by a writer who worked on the classic series.

Of course, Russell T. Davies populated his relaunch with veterans of the interregnum, of the period between the cancellation of the classic show and the debut of the revival. Mark Gatiss had written books and audio plays. Steven Moffat had scripted The Curse of Fatal Death. Paul Cornell had overseen his own stillborn reboot in Scream of the Shalka. Rob Shearman had written for Big Finish. So it was not as if the series had ever completely abandoned its history and roots.

Torchbearer.

Indeed, over the course of the return, various landmark events occurred. The Autons were the first villains to reappear, appearing in Spearhead from Space, Terror of the Autons and Rose. William Thomas became the first actor to appear in both the classic series and the revival, scoring guest appearances in Remembrance of the Daleks and Boom Town. Graeme Harper was the first director to work on both iterations, directing The Caves of Androzani and Revelation of the Daleks, before becoming a go-to director during the Davies era.

In some ways, The Eaters of Light offers another such landmark in the evolution of the series. Rona Munro becomes the first writer to work on both the classic series and the revival.

Stones of blood.

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