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Star Trek: Deep Space Nine – The Dogs of War (Review)

The Dogs of War is the penultimate episode of Star Trek: Deep Space Nine.

As such, it has lots of important things to be doing. The episode’s primary function is to streamline the ongoing narratives so that they might all neatly feed into What You Leave Behind. The goal of any penultimate episode is to set up the shot so that the finale might punt the ball into the goal, in a manner that leads to a satisfying conclusion. Given that The Dogs of War is arriving towards the end of a seven-season series, a two-year war story, and a ten-episode closing arc, that is a lot of setting up to be done.

The best is Yates to come.

There is a lot of work to be done on paper. The plot thread focusing on the Pah-Wraiths has been dangling since When It Rains…, the Federation has not reengaged with the Breen since the disastrous encounter at the end of The Changeling Face of Evil, and Bajor hasn’t even mentioned the possibility of joining the Federation since Rapture or In the Cards. With that in mind, it makes perfect sense of The Dogs of War to focus on getting Bashir and Dax together while Quark thinks he is about to be Nagus as Damar is forced to hide in a cellar.

However, there is something inherently charming about how The Dogs of War chooses to prioritise threads over story beats that might seem more relevant or important, to dedicate a sizable chunk of the penultimate episode of Deep Space Nine to tying up a clumsy “will they?”/“won’t they?” romance and telling one last Ferengi story. The Dogs of War is an episode that speaks to what Deep Space Nine was, both in terms is esoteric plotting and its skewed-but-optimistic outlook. There might be better ways to wind down a series, but this is very Deep Space Nine.

Love in a turbolift.

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