• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Todd McFarlane’s Run on Spider-Man (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Todd McFarlane is undoubtedly one of the best artists ever to work on Spider-Man. His take on the character is iconic and influential. He really captures the sense of Spider-Man as a character who should be unnerving or disturbing – a character who is part insect, whose limbs are able to bend and contort in ways that would seem unnatural to a casual observer. His run on The Amazing Spider-Man with writer David Michelinie is one of the most underrated Spider-Man comics ever produced.

McFarlane was working at Marvel around the time that the company was investing more power in its artists. More and more, artists were becoming more essential to the creative process – whether credited as “plotters” or “writers.” Jim Lee was wresting control of the X-Men franchise from veteran writer Chris Claremont. Rob Liefeld was writing and drawing on his popular X-Force, launched from New Mutants.

Holding it together...

Holding it together…

In this context, it made sense to allow Todd McFarlane to branch out and write his own Spider-Man title. Launched to run alongside The Amazing Spider-Man, McFarlane’s adjectiveless Spider-Man remains one of the comic book success stories of the nineties, selling 2.5 million copied on initial release. It remains one of the best selling comic books of all time, with the original artwork recently selling for over $675,000.

As with many of its contemporary artist-drive series, McFarlane’s Spider-Man is a compelling read. It’s a glimpse inside the mindset of the comic book industry, a snapshot of trends that were still developing. McFarlane’s writing might be a little over-cooked, his plotting a little weak and he may not have the strongest sense of theme or structure. However, McFarlane’s artwork is absolutely spectacular, and there’s something very fascinating about McFarlane’s attempt to write Spider-Man as a horror comic starring the iconic web-slinger.

A sting in the tale...

A sting in the tale…

Continue reading