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Star Trek: Myriad Universes – Echoes and Refractions: Brave New World by Chris Roberson (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Quite a few of the Myriad Universe stories feel like “for want of a nail” stories. Changing one little detail of Star Trek history and the entire universe comes apart at the seams. In the Echoes and Refractions collection alone, The Chimes at Midnight offers a nightmare glimpse of a universe where Spock died in childhood, while A Gutted World explores what might have happened if the Cardassians had never left Bajor. Neither alternate universe represented a sustainable alternative to the Star Trek we know and love. The subtitles might as well have been “… and then things got worse.”

With the final story in the collection, Chris Roberson takes another tack. Brave New World isn’t a story about how removing one vital thread of the Star Trek tapestry causes the whole thing to unravel. Instead, it’s something quite a bit bolder. It’s a genuine alternate universe, one boldly different – not inherently better or worse, but just an example how things might have unfolded if just one little thing had been different.

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Star Trek: The Next Generation – A Matter of Honour (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The second season of Star Trek: The Next Generation might be a bit rough around the edges (among other places), but there’s still a sense that the show is trying to improve itself, struggling to find its own voice. Most of the first season seemed content to offer a pale imitation of the classic Star Trek show, ignoring the fact that a lot had changed in the two decades since Kirk and Spock took to the air.

A Matter of Honour is an example of The Next Generation engaging the late eighties instead of trying to evoke the lost spirit of the sixties. Taking the “Klingons as Communists” metaphor as far as it could logically go, and serving as a companion piece to Star Trek VI: The Undiscovered Country, A Matter of Honour is a tale of deep space détente.

Guess who's going to dinner where?

Guess who’s going to dinner where?

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Star Trek: The Next Generation – Unnatural Selection (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

It’s really strange that this is our first Pulaski-centred episode. It’s even stranger that it’s the shows only Pulaski-centred episode, given she’s a new character being inserted into an established ensemble. It’s even stranger-er that the episode doesn’t really seem to have much to say about Pulaski apart from the fact that she is the show’s new doctor – and she’s a bit of an idiot. Which is not necessarily what you want when you’re trying to endear a new character to the audience.

Then again, Unnatural Selection is a pretty good indicator of where Star Trek: The Next Generation is right now. The show hasn’t quite figured out that it’s a good idea to anchor character-centric stories in the character upon which that intended to centre. It’s one of the most successful aspects of Michael Piller’s approach, and part of what really revitalised the writing in the show’s third season. As it stands, Unnatural Selection seems to be a story about medical stuff, so it gets to focus on Pulaski. Who is really just sort of there.

I can see this getting old fast...

I can see this getting old fast…

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Star Trek: Deep Space Nine (Marvel Comics) #3-4 – The Cancer Within (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Poor Doctor Pulaski. She seems to have just disappeared from the canon. First season casualty Tasha Yar seemed to haunt to the show, returning for Yesterday’s Enterprise while her daughter become a recurring foe from The Mind’s Eye onwards. Even Wesley popped back every once in a while following his departure from the series. Pulaski, on the other hand, remains something of a phantom.

Barring an audible reference to her made in the background during the Star Trek: Voyager finalé Endgame, she disappears from the franchise without so much as a peep at the end of Shades of Grey.  She isn’t even referenced by name in the first episode of the third season to air (Evolution) or the first produced (The Ensigns of Command). While Beverly Crusher’s return is used as a plot point for Wesley, we only get the most fleeting of references to Pulaski in Who Watches the Watchers?

While this can easily be explained by the complex relationship that Diana Muldaur seems to have with Star Trek: The Next Generation. She has suggested the atmosphere on set was decidedly unfriendly, so the fact that Pulaski doesn’t return should not be that much of a surprise. What is interesting is the general apathy that the expanded universe seems to have for Pulaski. While even guest characters seem to get their own back stories and development in novels and comics, Pulaski is treated as a decidedly minor character in the Star Trek canon, reduced to guest spots and small appearances.

I like my family reunions generic and bland...

I like my family reunions generic and bland…

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Star Trek: The Next Generation – The Schizoid Man (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

I should probably hate The Schizoid Man. It is certainly a very, very flawed piece of television. It would be a lot more forgivable had it aired during the first season of Star Trek: The Next Generation, when the show was still trying to find its feet – including it early in the second season feels like the show is pushing it a little. In many respects, The Schizoid Man embodies a lot of the (legitimate) complaints about the weaknesses of The Next Generation as a television show: the performances from the peripheral members of the main cast are a bit ropey, there’s an incredibly false sense of urgency generated by techno-babble and the dialogue is just terrible.

And yet, despite that, there’s quite a lot here to like. Stripping away the terrible dialogue and the unnecessary convolutions, The Schizoid Man is a very basic morality play, one touching on themes the show will handle a lot better a few episodes down the line. Brent Spiner is surprisingly creepy as Graves-as-Data, and W. Morgan Sheppard is pretty great in an admittedly thankless part as the misogynistic and creepy Ira Graves.

23rd century Schizoid Man...

23rd century Schizoid Man…

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Star Trek: The Lost Era – The Buried Age by Christopher L. Bennett (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Encounter at Farpoint.

“I’m offering the chance to find something entirely new,” Picard teases at one point in The Buried Age. “To begin filling in a tremendous gap in our understanding of galactic history.” In a way, Picard might as well be addressing the reader, explaining one of the many joys of Christopher L. Bennett’s The Buried Age. It is a chance to delve into the world of Star Trek, exploring the lacuna that exists leading directly into Encounter at Farpoint.

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My 12 for ’13: Star Trek Into Darkness & Fighting for the Future…

This is my annual countdown of the 12 movies that really stuck with me this year. It only counts the movies released in Ireland in 2013, so quite a few of this year’s Oscar contenders aren’t eligible, though some of last year’s are.

This is number 6…

Star Trek Into Darkness won’t win any awards for scripting or plotting. It’s very hard to succinctly explain the various overlapping evil plans directed by the movie’s two competing villains – who knows what at which point, and how that makes sense in the context of their objectives. Star Trek Into Darkness is a bit of a hot mess when it comes to storytelling – an overly convoluted plot that spends far too much time homaging what come before, when it should be boldly going somewhere new.

And yet, despite that, there is an ambition to Star Trek Into Darkness, a willingness to embrace big ideas and questions about cynicism and optimism, about hope and fear, about the attitude that people adopt towards the future. At the most basic level, that’s what Star Trek is. Into Darkness doesn’t have the same space as a television show to delve into those questions, nor to offer the same degree of nuance.

However, it’s a willingness to ask them that is quite endearing.

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Star Trek: Deep Space Nine – Season 2 (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

Well, that’s more like it. The second season of Star Trek: Deep Space Nine might not rank with the very best of the franchise, but it doesn’t have to. Deep Space Nine is still a young show, and Star Trek spin-offs have a long history of taking their time to find their feet. The second season of Deep Space Nine contains its fair share of classic or memorable episodes, but it’s defined by a sense that the producers are still trying to figure out what works and what doesn’t.

While the first season occasionally felt like the series was stumbling back towards safety, trying to become a lighter version of Star Trek: The Next Generation as faith in its premise wavered, the second season is a lot more confident in itself. It’s willing to play around a bit to figure out how to be the show that it wants to be. And there’s a sense, as the season winds to a close, that we’re almost there.

By the time we hit the second half of the season, it seems the show has learned to churn out inoffensive episodes that feel unique and distinctively Deep Space Nine – episodes like Playing God or Shadowplay. However, it’s in the final third that the show seems to figure out how make truly great episodes of Deep Space Nine.

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Star Trek: Deep Space Nine – The Jem’Hadar (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

In terms of sheer quality of execution, The Jem’Hadar is probably the weakest of Star Trek: Deep Space Nine‘s season finalés. It lacks the gut punch of A Call to Arms, the shock twist of Broken Link, the atmosphere of The Adversary or even the timeliness of In the Hands of the Prophets. It is, at its most basic level, a story about a disastrous first contact that occurs during a father-son bonding trip that goes horribly wrong, ending with precious little actually advanced.

However, in terms of conceptual ideas, The Jem’Hadar is a game-changer. It is the cornerstone upon which Deep Space Nine would construct its most iconic narrative arc. It caps off two years of trying to develop the Ferengi as more than one-note jokes. It’s a bold statement about the freedom that Deep Space Nine would enjoy with Star Trek: The Next Generation retiring from the airwaves. It cemented the notion that Deep Space Nine never really dealt in two-part episodes to bridge seasons.

For Deep Space Nine, season finalés did not exist simply as pieces of Lego designed to snugly fit those other pieces at the start of the following season, crafting some illusion of continuity flow between two different seasons of television. Instead, cliffhangers on Deep Space Nine changed the rules, shook up the status quo, and teased the changing face of things to come.

A Jem?

A Jem?

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Star Trek: Deep Space Nine – Tribunal (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

Tribunal is probably the weakest episode of Star Trek: Deep Space Nine in quite some time, hampered by the fact that it never seems too ambitious and the fact that the episode ends because we’re three minutes away from the closing credits rather than because it feels like the story has been told. Tribunal is hardly the deepest or most sophisticated episode of the show’s second season, spending most of its time riffing on Kafka and Orwell, but it’s still solidly entertaining – a rare example of black comedy on Star Trek that works surprisingly well.

I suspect the biggest problem with Tribunal is where it’s placed. The second season of Deep Space Nine has been hitting it out of the park since around Blood Oath, giving us the strongest run of episodes we’d see until the start of the fourth season. Indeed, had the show found its groove a little bit earlier, the second season of Deep Space Nine could have been on par with the third season of Star Trek: The Next Generation as “that season the show found its groove.”

However, it remains an impressive run of episodes, a rallying of the show in the last third of the season, showing just what Deep Space Nine was capable of. Most of the episodes in that run felt very different from anything done on The Next Generation and most offered some major insight into how the world of Deep Space Nine works as distinct from the rest of the franchise.

A broad cast of characters...

A broad cast of characters…

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