Star Trek: The Motion Picture | the m0vie blog

Non-Review Review: Star Trek – Into Darkness

Posted on May 7, 2013 by Darren

Note: This is a spoiler-lite review. If you want a spoiler-heavy in-depth look at the film, click here.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red…

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Filed under: Non-Review Reviews | Tagged: Benedict Cumberbatch, chris pine, Darkness, J Abrams, J. J. Abrams, james t. kirk, kirk, Leonard Nimoy, spock, star trek, Star Trek II: The Wrath of Khan, Star Trek III: The Search For Spock, Star Trek Into Darkness, star trek iv the voyage home, star trek: enterprise, Star Trek: The Motion Picture, star trek: the original series, StarTrek, Taste of Armageddon, twitter, United Federation of Planets, William Shatner | 11 Comments »

Star Trek: The Next Generation – The Child (Review)

Posted on December 26, 2012 by Darren

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

Let’s play make believe for a second here. Let’s imagine you are producing a television show that had a very rocky first season, but seemed to be making steps in the right direction. This was a show already respected for its depiction of social issues like racism or drug use…

However, despite that, the first year of the show had some major gender issues. Your writers and actors had been pointing out that some of the episodes in that first year could be considered sexist. Of the three actresses in you regular cast, two left. One became the first regular on a Star Trek show to die in the middle of the season, and you had to write the first episode of the second season to write out the other actress who had been having some trouble with a male producer.

Now, keeping all that in mind, let’s carefully consider what to do with the remaining female lead character. If you are producing the second season of Star Trek: The Next Generation, you choose to have an alien impregnate that character without consent, use her body as incubation chamber, exploit her maternal instincts and then make her watch what she believes to be her own child die. More than that, you make sure that the female character is completely superfluous to the script itself, and that nobody seems to care particularly about her.

Don’t worry, Troi. Face of the Enemy is less than half a decade away…

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Filed under: The Next Generation | Tagged: Beverly Crusher, Data, Deanna Troi, gene roddenberry, jean-luc picard, Leonard Nimoy, Neutral Zone, Next Generation, picard, spock, star trek, Star Trek Next Generation, Star Trek: The Motion Picture, StarTrek, USS Enterprise (NCC-1701-E), Vulcans, William Riker, Worf | 5 Comments »

Noir A.D.: Why Sci-Fi Is Better Hardboiled…

Posted on February 17, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.

Nobody’s entirely certain who it was that came up with the idea of combining peanut butter and jelly. It isn’t exactly a logical leap, after all. The most popular theory seems to be that it was American soldiers, who had been issued with ration packs containing peanut butter and jelly during the Second World War. With these two items in their packs, the soldiers decided to pair them up and eat them as part of the same sandwich. However, though this might suggest that the two were thrown together by coincidence, they stayed together because they just work so well. So it is with science-fiction and noir, that most unlikely of combinations which can’t help but go down a treat.