• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek – The Return of the Archons (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It is really hard to believe that this is the first time we’ve really had one of these plots, with the Enterprise visiting an alien civilisation, meddling thoroughly and freeing the population from oppression. Of course, that’s probably because the universe seemed so vast an empty in the first few episodes. The only planets seemed to be either lifeless rocks or human colonies. From this point on, the galaxy is going to seem a whole lot busier.

Return of the Archons is a little bit like an expansion of the archetypal Star Trek plot established in What Are Little Girls Made Of? The Enterprise visits an alien world following up on the disappearance of Federation personnel. When they arrive, they discover sinister plans afoot involving evil artificial intelligences that plan on stomping out free will. Kirk promptly uses his humanity to talk the machines into destroying himself.

However, Return of the Archons deals with a whole civilisation trapped in the midst of this sinister robotic plot. Kirk and his crew aren’t strolling through an alien graveyard. This is a living, breathing society. And this is the first time that Kirk would save an entire civilisation.

Some men just want to watch the world burn...

Some men just want to watch the world burn…

Continue reading

Star Trek – Arena (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Arena is a fascinating piece of Star Trek, because it’s such an iconic and important piece of franchise history, despite the fact that it’s far from the best that the show has to offer. Indeed, the basic premise of the show is rather generic science-fiction B-movie stuff. Kirk is forced to compete against a lizard-like alien by some god-like beings to ensure the survival of his crew. The script, by producer Gene L. Coon, is credited to a story written by Fredric Brown. Despite its similarities to Brown’s short story of the same name, Arena also shares quite a few plot points with a 1964 episode of The Outer Limits, Fun & Games. None of this is to suggest that Coon was consciously channelling these sources when he wrote the teleplay, just to illustrate how generic the basic plot is.

However, despite (or perhaps because of) this rather straightforward and familiar set-up, Arena is a truly memorable episode of Star Trek. Like quite a few other episodes of the original Star Trek, the episode produced images and concepts that have resonated well outside Star Trek fandom, to the point where elements like the Gorn or Kirk’s highly dubious improvised weapon will be recognisable to people who have never actually seen the episode. However, the episode is also vitally important to the Star Trek franchise itself, as it offers a more thorough expansion and exploration of the back story that has been inconsistently hinted at throughout this first season. Arena is really the first episode to feature a fully-formed framework for the internal logic of the Star Trek universe, one that has informed half-a-century of the franchise.

Plus, you know, Kirk wrestles a lizard man.

Don't pretend you aren't loving every minute of this, Shatner!

Don’t pretend you aren’t loving every minute of this, Shatner!

Continue reading

Star Trek – The Conscience of the King (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

The Conscience of theKing continues the work of Balance of Terror in fleshing out the fictional universe of Star Trek. While the first few episodes of the show gave little thought to this universe’s shared history and our characters’ origins, The Conscience of the King offers us a glimpse into the past of Captain James T. Kirk. Like Dagger of the Mind, another episode borrowing its title from Shakespeare, it builds off the suggestion that humanity is still a long way from perfection, and that the fact we have reached the cold expanse of space does not mean that our troubles can be left entirely behind. In contrast to some of Roddenberry’s later decisions about the Star Trek franchise, it is clear that utopia is a path, and not a clear destination.

His mask is slipping...

His mask is slipping…

Continue reading

Non-Review Review: Star Trek – Into Darkness

Note: This is a spoiler-heavy review. If you want a spoiler-lite recommendation, click here. If not, continue at your own risk.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red...

Seeing red…

Continue reading

Non-Review Review: Star Trek – Into Darkness

Note: This is a spoiler-lite review. If you want a spoiler-heavy in-depth look at the film, click here.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red...

Seeing red…

Continue reading

Star Trek – The Man Trap (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It really is amazing how busy the Star Trek universe is. Or, well, how busy it was at one point. Although there are plenty of alien civilisations scattered across the vast gulf space, numerous empires vying for power and glory, the first season of Star Trek seems fixated on the notion that the universe is packed with the relics and ruins of long-dead civilisations. The Man Trap is just one example, as Kirk and his crew investigate an archaeological dig on the planet M-113, decorated with “the ruins of an ancient and long-dead civilisation.” Of course, the civilisation isn’t quite dead, but there’s a definite funereal atmosphere about The Man Trap.

That somewhat grim atmosphere makes the show’s fixation on long-dead worlds somewhat fascinating, given how the series is primarily about mankind’s optimistic future. However, it creates a sense – palpable throughout the first year of Star Trek – that the human race is a relatively new arrival on the scene, but emerging following the collapse and decay of countless ancient civilisations. It’s an old universe, but it’s a new dawn.

Suckers!

Suckers!

Continue reading

Star Trek: Early Voyages #1 – Flesh of my Flesh (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

In the late nineties, Marvel were publishing Star Trek comic books. One of those books, perhaps the book garnering the most critical praise, was Star Trek: Early Voyages. Written by Dan Abnett and Ian Edginton, the series was intended to follow the mission of the USS Enterprise under the command of Captain Christopher Pike. Published monthly, the comic is perhaps the best indication of what a Star Trek show starring Christopher Pike might have actually looked like. Although the series was cancelled suddenly after only seventeen issues, ending on a cliffhanger, it is still a fascinating look at what might have been.

Looks like they've hooked a Pike...

Looks like they’ve hooked a Pike…

Continue reading

Star Trek – The Cage (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

The Cage is fascinating. Looking at it now, it holds up phenomenally well a s apiece of sixties science-fiction. However, it feels like we’re watching a prototype of Star Trek. In many respects, The Cage feels like a rough sketch that captures some essentials, but is missing out on the finer details. Spock is there! But he smiles! The set design looks the same, but the characters are different. Some of the cast fill the same roles, but some are dramatically different. Watching The Cage, you can see a lot of the philosophy that Gene Roddenberry would bring to Star Trek, but it’s very difficult to imagine an on-going series spinning out of this adventure, let alone one that managed to become as iconic or influential as Star Trek would ever be.

Still, it’s pretty solid viewing. It’s entertaining on its own terms, but it’s also informative in the context of the series. It’s more like dry run or a test drive of the concept.

To boldly go... for some reworking...

To boldly go… for some reworking…

Continue reading

Star Trek: The Next Generation – Heart of Glory (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I think Heart of Glory is, ironically, one of the first times that Star Trek: The Next Generation is consciously trying to force its way out of the shadows of its illustrious predecessor. Episodes like The Naked Now and Justice felt like hold-overs from the classic sixties Star Trek, with little acknowledgement that the world (both inside and outside the show) had dramatically changed in the two decades since Star Trek appeared. I used the adjective “ironically”, because Heart of Glory actually sees the return of one of the most classic Star Trek aliens, and one of the most recognisable pop culture extraterrestrials.

The series bible famously stated the show had no real interest in going back to the Klingons, but Heart of Glory suggests that following up with the funky foreheaded aliens might have been the smartest thing that the first season did.

I am Klingon, hear me roar!

I am Klingon, hear me roar!

Continue reading

Star Trek: The Next Generation – Where No One Has Gone Before (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I remember that I never really like Where No One Has Gone Before when I was younger. Even now, I have a bit of a tough time counting it among the best episodes of Star Trek: The Next Generation. However, despite that, I’ve actually warmed to it quite a bit on this rewatch. It’s not brilliantly constructed as an hour of television, and I wouldn’t even count it as the best produced in this first season of the second Star Trek series. However, it does something that a lot of other episodes in this run try to do, and fail to accomplish.

It manages to evoke the spirit of Star Trek.

Into the wild purple yonder…

Continue reading