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Non-Review Review: Blue Jasmine

Blue Jasmine is Woody Allen’s irreverent modernised take on A Streetcar Name Desire. Sure, some of the finer details have been changed to protect the not-quite-innocent. The story is relocated from New Orleans to San Diego. (“This is such a European city,” our lead notes, as if to suggest it isn’t such a significant change.) The character of Stanley Kowalski has been divided across several different supporting characters – the Polish Augie and the car mechanic Chili. (“He’s just another version of Augie,” Jasmine suggests of her sister’s later boyfriend, drawing attention to the fact that they are both other versions of another character.)

Allen plays of the structure and the beats of Tennessee Williams’ hugely iconic play, even playfully branding his Blanche Dubois stand-in as the movie’s “blue” Jasmine French. The result is enjoyable and intriguing, anchored on a fantastic central performance from Cate Blanchett as the Southern belle who might not be quite the victim that she claims to be. As with so many Allen films, there’s a rich ensemble at work here, but Blue Jasmine works beautifully by riffing cleverly on a classic of American theatre.

"... the kindness of strangers..."

“… the kindness of strangers…”

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